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I feel so lucky that I met the love of my life. You know somebody's in it to win it when they're changing your IV bag or you're having a seizure and they're holding you. And helping you to the bathroom. You know that they love you.
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One of the reasons I went back to music even though I was extremely ill was because I started to forget who I was aside from being sick. And when I'm performing, or even lecturing, it's like I'm myself again, and that was a really amazing discovery - that, all of a sudden, I have a get-out-of-jail-free card.
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I have late-stage Lyme disease. I was misdiagnosed for many, many years and told I had lupus, MS, Crohn's disease, even degenerative arthritis. And finally in 2010, I got the correct diagnosis, because on the last Le Tigre tour, I was having several seizures a day and at times not being able to brush my own teeth.
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I've always talked a lot on stage - I really wanted to communicate my ideas and when you're playing at a lot of shitty punk clubs they don't have good PAs and so no one knows what you're singing about.
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When I watch myself on camera, in any capacity - being interviewed, performing, 20 years ago or yesterday - there's a part of me that really doesn't grasp that it's me.
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As I've gotten older, I've realized that things are a lot more permeable. It's not so black and white: not every journalist is a jerk.
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Since I loved underground music, I tried to carve a space for feminism within it. Those were my hopes.
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Popularity is totally overrated.
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I would much rather be the obnoxious feminist girl than be complicit in my own dehumanization.
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Just because you're wearing a goofy hat doesn't make it performance art.
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So many women have experienced horrific forms of male violence throughout their lives, and why isn't there a song about how you get depressed because of it?
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Teachers are performers, just like I am.
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It's really funny - when I'm depressed or I'm having a hard time, I'll write really fun stuff. And then when I'm really happy, I write really depressing stuff.
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People have always had these weird things about how you have to be really good looking to be a singer.
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There's just as many different kinds of feminism as there are women in the world.
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Music is an extremely powerful art medium that can really affect people's emotions. It is amazing to realize how much communities can be born from different kinds of music and the people who appreciate them.
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If I had to choose between the band or the friendships, I'd choose the friendships at this point.
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Jason Mraz, and the new James Blunt song is the worst thing that has ever been created on the face of the earth.
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Not to rag on myself, but when people say, 'What does it feel like to be an icon?' I'm like, 'My dog does not think I'm an icon, my cat does not think I am an icon, my cousin does not think I am an icon.' I have a really lovely group of friends, and I just don't think about it.
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I'm in a really lucky position where people will be interested in whatever I do, but what I do is sing.
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I don't consider myself a divining rod whom God is speaking through or any kind of crap like that.
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I felt it was really, really important, not just in the vein of feminist erasure or whatever but also just as an artist that I honored my work.
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I'm sure if you see things you wrote when you were 19, you cringe. I saw stuff like angry poetry that I wrote when I was mad at my father, or photos I took where I smeared period blood on myself. It's embarrassing.
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I understand why some women/girls/ladies don't want to be women-identified 'cuz it totally complicates your band identity and no one seems to pay much attention to the music or what you're doing. We have chosen to be girl-identified (although Billy isn't a girl!), because we want to encourage other women/girls to play music. When I was growing up, I found it discouraging to have all these women in bands not wanting to address the issue of gender...we're interested in what women are doing.