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My guitar style was developed during that 10-year period. That's me. That's the way I play, and I don't wish to play any other way. Our own individual identities are firmly stamped on this album.
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There's nothing worse than a bunch of jaded old farts, and that's a fact.
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Music is for every single person that walks the planet.
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I can find my way from 500 A.D. through to 1066 pretty well as an amateur historian.
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You would find in a lot of Zep stuff that the riff was the juggernaut that careered through and I worked the lyrics around this.
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A lot of people can't be on their own. They get frightened. Isolation doesn't bother me at all. It gives me a sense of security.
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I think it's time to travel, start gathering some real right-in-there experiences with street musicians around the world.
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I daresay one good concert justifies a week of satisfaction at home.
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I don't care what critics and other people think.
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I'm very fortunate because I love what I'm doing.
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I think it was that we were really seasoned musicians. We had serious roots that spanned different cultures, obviously the blues.
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Just because you play bass, doesn't mean you have no presence.
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The events between 1968 and 1980 were the kind of cornerstone for everything I've been able to do, they gave me the springboard.
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I'm not afraid of death. That is the greatest mystery of all. That'll be it, that one. But it is all a race against time.
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I don't deal in technique. I deal in emotions.
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I suggested back in 1980 to do a chronological live album, but there wasn't that much enthusiasm for it.
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There's a certain standard in classical music that allows the application of the term "genius," but you're treading on thin ice if you start applying it to rock & rollers.
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If you are on to something creative, school can also inhibit you. The wrong teacher, man, can really mess you up.
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I really wasn't needed... Just straightening up riffs, that's all. Just two guitarists doing it instead of one.
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I don't feel I have to top myself at all.
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I really had to think and learn about musical intervals.
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Many people in the neighborhood liked hip-hop and house music, and I couldn't play that. You can't perform that on guitar or drums, which was what I was playing, at the time. But, I got so much from mariachi bands that were constantly playing in the neighborhood.
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Theatres are built because they were the boards for entertainment.
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I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened.