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Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you're playing an instrument that is really hard.
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I hate wasting time.
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I'm attracted by the unknown, but I take precautions.
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I know what I want to get down and I haven't got much time to do it in.
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You get as much out of rock & roll artistically as you put into it. There's nobody who can teach you. You're on your own and that's what I find so fascinating about it.
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I spend a lot of time near water.
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When I went over to the States to promote Outrider, everyone was telling me I was a blues guitarist. I'm not a bloody blues guitarist. I'm a guitarist.
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I have a voracious appetite for all things, worldly and unworldly.
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Whenever I have bid a hasty goodbye to a loved one, I've always made sure that my record collection was safely stored away in the boot of the car.
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I'm British - ostensibly British - but I don't know where I really belong, you know?
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I think I'm prone to panic.
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The beauty of the band was you never knew what was going to come out next.
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Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid.
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You can't even imagine how it felt to have a cassette that you could take with you with a microphone so you could put down an idea and not have to hum it a million times to remember what it was.
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You can't expect to be the same person you were three years ago. Some people expect you to be and can't come to terms with the fact that if a year has elapsed between LPs, that means one year's worth of changes. The material consequently is affected by that, the lyrics are affected by that... the music too.
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I can only listen to what I'm working on, at the time. I can't listen to anything else because I don't want to copy it.
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The element of change has been the thing, really. We put out the first one, then the second... then a third LP totally different from them. It's the reason we were able to keep it together.
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Music can always be a life-changing experience, for musicians and fans, or at least life-affecting, but it depends on to what degree.
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There's so much that can be done on the guitar. And that's what is so good about the guitar - everyone can really enjoy themselves on it and have a good time, which is what it's all about.
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We went in and recorded exactly where we were at that point in time. I think because of the quality of musicianship of the band has given it the longevity. I thought the music would endure, I didn't think I would ... I always thought I'd be dead by 30, then dead by 40 and on and on. Now I'm 55 so I didn't even die at 50.
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Every musician wants to do something which will hold up for a long time, and I guess we did it with 'Stairway to Heaven.'
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So for a long time I closed my eyes to the possibility of America having a white voice.
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Led Zeppelin has been there through three generations of teenage angst. And there's a generation of kids now who won't know it, post-Linkin Park.
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Every record is a portrait of the band at that time.