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All over the world, the idea of creating an melange of international musics, it's a very healthy thing.
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It's sort of a feeling of power onstage. It's really the ability to make people smile, or just to turn them one way or another for that duration of time, and for it to have some effect later on. I don't really think it's power... it's the goodness.
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I can't moan about any of it. I had a great time in the goldfish bowl.
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The greatest satisfaction is not the decoration. It is knowing that I am able to help someone who needs help.
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My vocation is more in composition really than anything else-building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army. ... I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened. ... I always believed in the music we did and that's why it was uncompromising. ... I don't think the critics could understand what we were doing.
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Domesticity and all that isn't really for me.
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I'm just lucky because my kids are grown-up - I love them, very proud of them, and we are in close contact as big-time friends, but they don't need me that much now and I can actually enjoy this wonderful world of music.
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The blues appealed to me, but so did rock. The early rockabilly guitarists like Cliff Gallup and Scotty Moore were just as important to me as the blues guitarists.
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Many people think of me as just a riff guitarist, but I think of myself in broader terms. As a musician I think my greatest achievement has been to create unexpected melodies and harmonies within a rock and roll framework. And as a producer I would like to be remembered as someone who was able to sustain a band of unquestionable individual talent, and push it to the forefront during its working career. I think I really captured the best of our output, growth, change and maturity on tape - the multifaceted gem that is Led Zeppelin.
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When you hear the melodic structures of what classical musicians put together and you compare it to that of a rock & roll record, there's a hell of a long way rock & roll has to go.
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You know what you can gain when you sit down with the Moroccans. As a person and as a musician. That's how you grow.
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Sometimes you'd come up against a brick wall... or sometimes you go into a fill and you'd know halfway through it was going to be disastrous.
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Lately, I'm spending more and more time working with non-rock musicians and leaving the mainstream - almost dissolving into another world, musically.
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There is no way I would play guitar like a tour de force like I did in Led Zeppelin. John Bonham, phenomenal drummer, young man with his technique, but do you think he would ever have the opportunity to play like that in another band? Of course he hadn't.
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There was absolutely no intention of splitting up. We had so many great ideas to use on the new album. John Paul Jones was incredible, coming to the studio each day with new instruments to play.
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No. I usually rest in my satin-lined coffin, actually. I'm not allowed out in daylight hours.
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The term "genius" gets used far too loosely in rock & roll.
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The way I see it, rock & roll is folk music. Street music. It isn't taught in school. It has to be picked up.
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How can you consider flower power outdated? The essence of my lyrics is the desire for peace and harmony. That's all anyone has ever wanted. How could it become outdated?
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We kept moving forward and didn't try to recreate the past .. the approach to each album was radically different every time. Many bands would have some success and, because they were locked into having a single - something we didn't have to worry about - they had to make sure there was something similar on the next album ... that was never the idea with Led Zeppelin .. the goal was to keep that spark of spontaneity at all times.
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Almost the moment he died, they put him in Playboy as one of the greatest drummers, which he was - there's no doubt about it. There's never been anybody since. He's one of the greatest drummers that ever lived.
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I deal in emotions. It's the harmonic side that's important. That's the side I expected to be much further along on than I am now. That just means to say that I've got to keep at it.
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I like change and I like contrast.
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I love playing. If it was down to just that, it would be utopia.