Led Zeppelin Quotes
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My finger picking is sort of a cross between Pete Seeger, Earl Scruggs, and total incompetence.
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I still like to get carried away - but passively.
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It's a two-dimensional gig being a singer, and you can get lost in your own tedium and repetition.
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People who don't take care of their drums really annoy me.
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You can't buy time. Everything, for me, seems to be a race against time. Especially musically.
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Soon, I'm going to need help crossing the street.
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To rock isn't necessarily to cavort.
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I don't want to get too dippy about all this. If you take the view of the scientist and everything is in a state of vibration, then every note is a vibration, which has a certain frequency, and you know that if you put 40 beats into a frequency it's going to be the same note every time. You take that into infrasound and people can be made to be sick, actually killed. Taking it the other way, not to be too depressing, what about euphoria, etc., and what about consciousness being totally... no, I won't go into that one. Time warps.
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I've never regretted anything I've ever done.
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I like the idea of being alone. I like the idea of often being alone in all aspects of my life. I like to feel lonely. I like to need things.
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The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
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People have got to let their bodies breathe a little bit more. That's the great thing about being a pompous, jumped-up rock god. There's plenty of air around you.
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Led Zeppelin didn't get that kind of Beatles screaming. We had a more sort of macho crowd. But I remember once in the early days of The Yardbirds, we were playing on an ice rink, and the stage was mobbed by screaming girls. I had my clothes torn off me. That's a really uncomfortable experience, let me tell you.
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There will be a Led Zeppelin as long as there's a Jimmy Page, John Bonham, John Paul Jones and Robert Plant. This isn't a nostalgia band playing the hits forever. If anything ever happened and somebody left - which I really can't see happening - I don't think we'd bother to carry on. The magic for me is as it is now.
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I'm just looking for an angel with a broken wing.
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From the classical guitar right through to the furthest electrical experiments and everything in-between, it's amazing what the guitar can actually do. I mean, when one thinks about sounds.
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I owe everything to the musicians I work with.
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It's interesting when something new comes along, a band of dwarfs playing electronic harps or something, but I'm not searching.
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But if you want me to knock Kingdom Come, all I will say is that I heard the guitarist said he'd never heard my playing, and I'd defy any guitarist in American not to have heard Led Zeppelin.
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I had another idea of getting a traveling medicine wagon with a dropdown side and traveling around England. That might sound crazy to you, but over there it's so rural you can do it. Just drop down the side and play through big battery amps and mixers and it can all be as temporary or as permanent as I want it to be.
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I guess the solo from 'Achilles Last Stand' is in the same tradition as the solo from 'Stairway to Heaven'...it is on that level to me.
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I don't know whether I'll reach 40. I don't know whether I'll reach 35. I can't be sure about that. I am bloody serious. I am very, very serious. I didn't think I'd make 30.
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The guitar to me, from the classical/gut-string guitar right through to Hendrix, et cetera, has all the range [of sound]. Within those six strings it is incredible what one can get sound-wise. It's just down to imagination, really.
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Live Aid did feel like one hour's rehearsal after several years, but to be part of Live Aid was wonderful. It reall was.