Led Zeppelin Quotes
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When I started doing sessions, the guitar was in vogue. I was playing solos every day.
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The guitar to me, from the classical/gut-string guitar right through to Hendrix, et cetera, has all the range [of sound]. Within those six strings it is incredible what one can get sound-wise. It's just down to imagination, really.
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There's so many different styles and facets of the 360-degree musical sphere to listen to. From tribal to classical music, it's all there. If the bottom was to sag out of that, for God's sake, help us all.
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I don't know whether I'll reach 40. I don't know whether I'll reach 35. I can't be sure about that. I am bloody serious. I am very, very serious. I didn't think I'd make 30.
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I guess the solo from 'Achilles Last Stand' is in the same tradition as the solo from 'Stairway to Heaven'...it is on that level to me.
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I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
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I do really believe that all guitarists have a different character that comes through, that's a strong character, the stronger the person is.
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The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you're talking about the Delta blues or music from Middle Eastern and African cultures.
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The key to Zeppelin's longevity has been change.
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But to put out a greatest hits on one CD was totally impossible, I just couldn't do it. The best compromise was to put out two CDs - Early Days - which is what it is - and Latter Days.
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It's not some great work of beauty and love to be a rock-and-roll singer.
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There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That's a personal point of view but that's the way I see it. I think that's what it's all about. The drive, the fire, the passion - it all comes out on the guitar.
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I'm not interested in turning anybody on to anybody that I'm turned on to... if people want to find things, they find them themselves.
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Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
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No, I've never thought that I was gay. And that's not something you think. It's something you know.
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I think that passion and love and pain are all bearable, and they go to make love beautiful.
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People say that I'm a millionaire, but that's not true - I only spend millions.
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Drumming was the only thing I was ever good at.
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Not everybody likes or understands a drum solo, so I like to bring in effects and sounds to keep their interest.
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I hate it when people slag us off. We had done three tours during 1970 and we finished off feeling we had just about had enough. We had done so much in that short space of time, we were drained.
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My vocal style I haven't tried to copy from anyone. It just developed until it became the girlish whine it is today.
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I remember in the early days when we played six nights a week for a month and I was doing my long drum solo every night. My hands were covered in blisters.
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I don't like being stuck in one situation, day to day.
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There was no working title for the album. The record-jacket designer said `When I think of the group, I always think of power and force. There's a definite presence there.' That was it. He wanted to call it `Obelisk'. To me, it was more important what was behind the obelisk. The cover is very tongue-in-cheek, to be quite honest. Sort of a joke on 2001. I think it's quite amusing.