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I'm obsessed - not just interested, obsessed - with folk music, street music, the parallels between a country's street music and its so-called classical and intellectual music, the way certain scales have travelled right across the globe. All this ethnological and musical interaction fascinates me. Have you heard any trance music? That's the thing.
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I realized what Led Zeppelin was about around the end of our first U.S. tour. We started off not even on the bill in Denver, and by the time we got to New York we were second to Iron Butterfly, and they didn't want to go on!
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The element of change has been the thing, really. We put out the first one, then the second... then a third LP totally different from them. It's the reason we were able to keep it together.
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I like change and I like contrast.
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I'm British - ostensibly British - but I don't know where I really belong, you know?
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Alone I'm nothing.
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You can't give up something you really believe in for financial reasons. If you die by the roadside - so be it. But at least you know you've tried. Ten minutes in the music scene was the equal of one hundred years outside of it.
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I'm still terrified of flying. I really have to get drunk to fly. I've found that I've developed fears I never had before... fears of heights, claustrophobia... only in cities, though, never in the country.
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Music can always be a life-changing experience, for musicians and fans, or at least life-affecting, but it depends on to what degree.
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I'm pretty optimistic about the future of rock... it will be back to composition as in classical music or jazz.
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I wanted my voice to be a tenor sax, really.
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There are always generic terms like 'Americana', but there are no boundaries as to where it can go.
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This week, I'm a gypsy. Maybe next week it'll be glitter rock.
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I don't think I've aged gracefully.
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My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
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I can only listen to what I'm working on, at the time. I can't listen to anything else because I don't want to copy it.
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There's so much that can be done on the guitar. And that's what is so good about the guitar - everyone can really enjoy themselves on it and have a good time, which is what it's all about.
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I bet you can't play slide piano.
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Once I get onstage the tension explodes and I'm fine. I'm in another world - in a trance almost, doing what I love best, expressing myself through guitar.
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I do not worship the devil. But magic does intrigue me. Magic of all kinds. I bought Crowley's house to go up and write in. The thing is, I just never get up that way. Friends live there now.
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Whenever I have bid a hasty goodbye to a loved one, I've always made sure that my record collection was safely stored away in the boot of the car.
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I'm trying to photosynthesize like a plant. I'm off eating. Although I am making a lot of banana daiquiries in my room in the blender I've got, with lots of powdered vitamins in them. This tour I'm going to get some Afghani hangings and put them in my room, so that my hotel rooms look like mosques.
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So far I've been very, very fortunate because it appears that people like to hear the music I like to play. What more fortunate position can a musician be in?
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That's the music that I play at home all the time, Joni Mitchell. Court and Spark I love because I'd always hoped that she'd work with a band. But the main thing with Joni is that she's able to look at something that's happened to her, draw back and crystallize the whole situation, then write about it. She brings tears to my eyes, what more can I say? It's bloody eerie. I can relate so much to what she says. "Now old friends are acting strange/They shake their heads/They say I've changed."