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There's a desire in me to express something - to match what I hear in my head.
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They looked great, you know the drawings of the guys playing looked great and bits of string around their necks. So it didn't seem to be that difficult a thing to do, or that inaccessible.
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I sought my father in the world of the black musician, because it contained wisdom, experience, sadness and loneliness. I was not ever interested in the music of boys. From my youngest years, I was interested in the music of men.
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I've always wanted the sound of Muddy Waters' early records - only louder
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When all the original blues guys are gone, you start to realize that someone has to tend to the tradition. I recognize that I have some responsibility to keep the music alive, and it's a pretty honorable position to be in.
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Before you accuse me, take a look at yourself.
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Musically, he was like an old man in a boy's skin.
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My definition of Blues is that it's a musical form which is very disciplined and structured coupled with a state of mind, and you can have either of those things but it's the two together that make it what it is. And you need to be a student for one, and a human being for the other, but those things alone don't do it.
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A British pressing with a compilation of the best stuff really, I mean actually not only that but, these were all kind of semi hits for the people on it in America.
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I remember when I thought of singing as the bit that went between the guitar playing - something I couldn't wait to get out of the way. Singing was originally like a chore that I didn't really enjoy.
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Very much like that, and very much a loner, do you know and I didn't fit really into sport or all kind of group activities as a kid, I couldn't find a niche. And music was not really part of the kind of village curriculum it would, you know.
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Well, I think part of my gift, or if I have one, is that I love listening.
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It's taken me to be an older guy, an old man, to have an old man's voice. Because I only liked old men's voices. As a kid, I didn't like pip-squeaked singers.
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I tried when I was 13, when my grandparents gave me an acoustic guitar, and I tried for a year. It hurt so much to play. I mean, the fingertips hurt so much, I gave up.
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When I was in Nashville, Tennessee in 1970 with Derek and the Dominoes, I went into this shop and they had a rack of Strats and Teles - all going for $100.00 each. I bought a handfull and made Blackie out of the body from one, the neck from another, and so on
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It is painful to relive things that have caused emotional crises or whatever and find ways to express that musically.
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When I'm wrong it's never meant for you, so don't confuse my love with what I do.
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I used to do crazy things that people would bail me out of, and I'm just grateful that I survived. But the music got very lost; I didn't know where I was going, and I didn't really care. I was more into just having a good time, and I think it showed.
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The voices inside you can lead your soul astray Believe in what you dream Don't turn away don't you turn away. Reach for the light You might touch the sky Stand on the mountaintop and see yourself flying Reach for the light to capture a star Come out of the darkness and find out who you are.
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I feel wonderful because I see the love light in your eyes, and the wonder of it all is you just don't realize how much I love you.
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I was in college, but I got kicked out. It was a very free school, but I created a "bad impression." Like I was a bit more fiery in those days. At the time I got kicked out, I knew exactly what I was going to do and didn't even bother to go back for a leaving certificate. Then I was singing in folk clubs around Birmingham and playing jazz in clubs on Sundays.
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At first the music almost repelled me, it was so intense, and this man made no attempt to sugarcoat what he was trying to say, or play. It was hard-core, more than anything I had ever heard. After a few listenings I realized that, on some level, I had found the master, and that following this man's example would be my life's work.
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My original interests and intentions in guitar playing were primarily created on quality of tone, for instance, the way the instrument could be made to echo or simulate the human voice.
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The good thing about playing with other musicians is that it's much easier to make the translation to playing live. It's much more difficult if you're trying to take something you've overdubbed alone on stage. But again, there are some benefits.