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I'd love to knock an audience cold with one note, but what do you do for the rest of the evening?
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I'm not a big fan of lead vocalists, people who sing but don't play. I never wanted to be in a band where the guy who was up front just sang. I've always thought it better when one of the musicians sings, like Steve Winwood.
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Where's that higher love I keep thinking of?
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So there I was in Hollywood, thinking I was doing good.
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It is painful to relive things that have caused emotional crises or whatever and find ways to express that musically.
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I was in college, but I got kicked out. It was a very free school, but I created a "bad impression." Like I was a bit more fiery in those days. At the time I got kicked out, I knew exactly what I was going to do and didn't even bother to go back for a leaving certificate. Then I was singing in folk clubs around Birmingham and playing jazz in clubs on Sundays.
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When I was in Nashville, Tennessee in 1970 with Derek and the Dominoes, I went into this shop and they had a rack of Strats and Teles - all going for $100.00 each. I bought a handfull and made Blackie out of the body from one, the neck from another, and so on
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The living together is very important in a way. It's important for writing. It wouldn't be important if we were like just getting other people's numbers together, we'd just have to meet at rehearsals, but writing is something almost completely different.
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I remember when I thought of singing as the bit that went between the guitar playing - something I couldn't wait to get out of the way. Singing was originally like a chore that I didn't really enjoy.
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This moment in time, on this tour, you know, I'm discovering a lot of new things. And to be 45 and doing that, it's a mixture of pleasure and pain, I can assure you.
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The good thing about playing with other musicians is that it's much easier to make the translation to playing live. It's much more difficult if you're trying to take something you've overdubbed alone on stage. But again, there are some benefits.
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I just like the company of beautiful women. I have a weakness in that department. And I suppose because I am fairly well off and a famous musician, I'm up for grabs. And that makes me an eligible bachelor in the press.
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Punk [rock] seemed like rock 'n' roll music utterly without the music.
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When I look for what I'm going to listen to I go backwards. I'm always going the other way you see. Most people are trying to figure out 'how do I get in the fast lane going that way?'. I'm going in the other direction. I wanna find the oldest thing to do.
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If you hold me, I will let you into my dreams.
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I don't have half the nerves there that I have anywhere else.
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The only planning I do is about a minute before I play. I desperately try to think of something that will be effective, but I never sit down and work it out note for note.
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In playing, I suppose my greatest gift was to express the way I felt or the willingness to express myself.
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One of the most beneficial things I've ever learned is how to keep my mouth shut.
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Loose ladies on the road will drive you crazy, every no, becomes a maybe.
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Time can bring you down, time can bend your knees.
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My selective memory of what drinking was like told me that standing at the bar in a pub, on a summer's evening with a long, tall glass of lager and lime was heaven, and I chose not to remember the nights on which I had sat with a bottle of vodka, a gram of coke and a shotgun, contemplating suicide.
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The point of being at home is to be with my family as much as possible.
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I feel a real need to observe a level of propriety in what I'm handing out. Instead of me just venting or spilling my guts, I've got to consider how it's going to affect people. How it's going to affect me, as well. Because it's like a cycle.