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Everyone I talk to says stuff like, 'Music sucks today,' and I'm going to try and change all that.
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I firmly believe artists should be paid for what they create.
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Hard work, studying and perseverance will get you no where in life......it's all about kissing ass
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When there are no lyrics there are many parts of the imagination that can fill in the meanings of the music, so I strongly believe that it can be more powerful at times.
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We worked very hard on that untitled record to do something different and that we were proud of and to try a bunch of different ideas. It was like this gigantic musical laboratory that we were going to every day. I love that record, I think that's one of the high watermarks of us as a band.
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Take care of your colon and your colon will take care of you.
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Bill Stevenson of The Descendants is really good, too.
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The first song I sent over was Up All Night. People say that sounds like Angels on a Blink record. Well, no - that's just me!
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Play music that means something to you. Make it happen for yourself.
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I run every day now. I never ran before.
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As a producer, I'm an objective observer, helping a band form their ideas into a cohesive album. It's a step back from the intimacy of creation.
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I don't have a girlfriend, I have a dog.
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We never worry about the big things, just the small things.
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Even though it was January, in Los Angeles it was beautiful and sunny and the blue skies were out and it was hot everyday, so I think it was just a product of our environment. And California to me as a concept or as an idea always seems like endless optimism and endless opportunity - when people think of California they think of palm trees and blue skies and gorgeous sunsets and beaches and everything else. But there's also this weirdness to California, this darkness, it's a place where people come to follow their dreams and sometimes don't make it.
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Thats not a place where I'm considered good-looking.
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I really enjoy helping a band form their sounds and ideas from initial spark to completed album. Being a producer is different in that, at the end of the day, it is not my art. It's THEIR art, THEIR ideas, THEIR message.
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The past is only the future with the lights on
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He [Patrick Stump] is been a friend of ours for a long time, and when we were talking about working with different producers and songwriters for the record, Patrick's name came up. We were excited to work with him - he's a very gifted lyricist and songwriter, and a really cool guy and it was a pleasure to work with him in the studio.
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I would lose straight away if I went on 'American Idol.
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The naked thing was short-lived. It was only around for about six months because we thought it was shocking. Once people expected us to do it we kind of never did it again.
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Records aren't selling anymore; people are burning music.
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Take it from me because I learned the hard way: circumcisions are best left to professionals.
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When I write in the studio, I tend to gravitate toward the ability to play really loud, aggressive, post-punk stuff, with big, heavy guitars and a big rock drum sound.
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If we play to first time Blink 182 listeners, it's good they are listening to us and not the Backstreet Boys. Old Fans or new fans, it's all the same to us.