Cinema Quotes
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I really believe that the aliens are us from the future. It seems to me a very plausible reason that explains a lot of phenomena as opposed to green men with one eye from outer space.
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I like the Foo Fighters a lot - apart from them being friends of mine as well. They're definitely a fantastic live act to see: so much energy and possibly even bigger in Europe than they are in the U.S., and that's great.
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We started Yes as a vehicle to develop everyone's individual styles.
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In many ways, I think about the possibility that there could still be a Yes in 100 or 200 years from now, just like a live symphony orchestra.
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Jon Anderson and I, we really liked a lot of classical music, and we wanted to get some orchestral arrangements going on 'Time And A Word.'
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Steve Howe met Paul Simon and said that Paul was very approving of our version of 'America.'
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We've never been to Israel. I'd like to play in Israel.
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I've done that quite often, but I've got to be quite honest... as much as you would want to only do one at a time, sometimes projects overlap and there's nothing you can do. Sometimes you to have begin writing a new project just as you're finishing off another.
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It depends on various things like if the promoters want to have a break so they can sell more T-shirts and booze, then they ask if we can do an interval. I personally prefer not to do that. Once you get onstage, I like to stay there.
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All movies, when they're about the music business, tend to have a bit of a wide latitude in terms of how things really were.
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'The Yes Album,' of course, was the album that put Yes' name on the worldwide stage.
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I guess I've become very accustomed to playing in the 7/4, which is something we've done quite a lot.
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The fact I've been in every lineup of Yes has been more by default than design.
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Being called a 'music legend' is a very funny thing. It's nice to know that my work has been appreciated and that people have given me that status. On a personal level, however, I can't think about it too much. It means a lot... but then it doesn't.
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I think I'll not attempt to do a 'Fish Out Of Water 2.'
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I think partly the problem with Yes - and I've had this discussion with people from the Hall of Fame in the past - is that it's going to be difficult to decide how many of the members of Yes you're gonna put in it and how many you're not because of the extensive membership of the band through the years.
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A nightmare is two bassists on stage.
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It's always a little more difficult after taking a few years off, which we did from 2004 through 2008. It's more difficult to get the machine in gear again, but when you become used to it, then it becomes easier.
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You know, usually with movies there are periods, dark areas, where I might not be getting what I wanted out of a theme. I'll have to go over and over it again.
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After awhile, you start realizing that change is good for you. It's healthy.
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Most popular records are action-packed to the last semi-quaver.
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Getting back to the point, a guy like Jerry, he deals with the business, and he doesn't see it as being evil or ugly, it's what you have to do, and I mean I know there's some really ugly parts to it and parts which drive me nuts, but not in the same way as music business.
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Usually, when we go out, it's because we made a new studio album, and that becomes the focus of the tour throughout the world for a year or so.
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Yes's whole career was never really planned in any sort of way. It's always sad when a member leaves, but it's exciting when someone new comes in, and that regenerates the freshness of the band.