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You stick your head above the crowd and attract attention and sometimes somebody will throw a rock at you. That's the territory. You buy the land, you get the Indians.
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I started doing all kinds of weird stuff on the guitar, which became part of my playing. I started doing harmonics and tapping on the guitar and pulling off strings and doing all this weird stuff that no one had ever done before.
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Ruth Montgomery had a book I was reading called Aliens Among Us. She was an automatic writer. She used to go into a trance, and she would just start typing information, and then she would come out of her trance and read it and go, "Wow," and that was just the way she wrote her books.
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If you don't ever stop singing, your voice stays in shape. It's like the marathon runner. You've got to run, run, run to stay in shape.
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Everything I did is because I wanted to do it. If I weren't playing this arena, if I were playing a club, I'd still be doing it because that's what I want to do. I love playing the guitar.
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Some people think a song without words isn't a real song. Tell that to Beethoven and he'll kick your ass!
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Dave thought he was bigger than Van Halen the band. So there was this catfight going on for 10 years.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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It's always about the music, never about anything else.
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If I would go up on a high note, Eddie would want a low one. That's how petty the situation had become.
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If you want to split a bottle with a friend, then Sammy Hagar is your guy. If you want to split your friend with a bottle than give me a call.
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Whether I'm on for a day or whether I'm on for a year, at the end of the day, I sing for my dinner.
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I had written lyrics to a song called The Silent Extreme, which Alex later renamed Humans Being.
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If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
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'For Unlawful Carnal Knowledge' took a year to record; that's why the playing on it might sound somewhat labored. 'Balance,' on the other hand, was written and recorded in only four months, so the whole process was quicker and more immediate.
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I was trying to take the band in a direction that I thought was appropriate, and Roth was trying to take the band in more of a Las Vegas direction. And there he is.
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If I can help a kid discover a liking, or even a passion for music in their life, then that's a wonderful thing.
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The only band I was really over-into was Cream. And the only thing I really liked about them was their live stuff 'cause they played two verses, then go off and jam for 20 minutes, come back and do a chorus and end. And I love the live jam stuff, the improvisation.
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I have selective hearing.
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I don't feel a day older when it comes to my approach to music or what gets me off than when I was a teenager. I've always been into different kinds of stuff and when I play I like to play loud. I like my arm hairs to move and I like my body to vibrate 'cause I like the feel of it; I'm still a teenager at heart.
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I never took guitar lessons. I took classical piano lessons from the age of six when we lived in Holland.
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I'll always leave the same set of strings on my guitars when I'm recording. If I break one I'll just replace it instead of putting on a whole new set of strings.
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I grew up on a lot of early Beatles, DC5, Cream, Clapton, Page, Beck and Hendrix.
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We make music for a living. Like I've always said, if you like what you're doing, you're halfway there; if someone else likes it, that's even better. If they don't like it, at least you like it. Not to be selfish, but you kind of have to be.