- All Quotes
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Nirvana was huge, but it didn't appeal to everyone.
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I'll always leave the same set of strings on my guitars when I'm recording. If I break one I'll just replace it instead of putting on a whole new set of strings.
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If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
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It's all about sound. It's that simple. Wireless is wireless, and it's digital. Hopefully somewhere along the line somebody will add more ones to the zeros. When digital first started, I swear I could hear the gap between the ones and the zeros.
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I don't want to talk about negative, dark things. The only thing I've got against stuff like Marilyn Manson is, they make unbelievable videos and unbelievable images.
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You are in a state of mixing, and you just live with it. There is not one musician who is completely happy with a mix.
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I tried to stick with what I knew best, which is writing rock n' roll songs and melodies. I am as passionate as I was when I was 20.
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I'm still raising kids myself, so I don't feel like a grandpa.
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There are really three parts to the creative process. First there is inspiration, then there is the execution, and finally there is the release.
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I grew up on a lot of early Beatles, DC5, Cream, Clapton, Page, Beck and Hendrix.
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I never took guitar lessons. I took classical piano lessons from the age of six when we lived in Holland. And when we moved to America, it was just the typical thing except I was really good at it; so was my brother.
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It comes back to the same old question people are always asking me: 'When are you going to do a solo record?' Well, if I did, it would probably be similar to 'Baluchitherium,' meaning it would be Van Halen music - which I write anyway - but without singing.
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If people get to the end of the record, then that is a treat.
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When I was singing Jamie's Cryin', people were going out of their mind because it was the first time they got to see Eddie, Michael and Alex play those songs. That was a thrill.
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The voices on the record, that was trying to treat my voice like guitar players treat guitar tones.
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On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.
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Michael Anthony is the Diplomat of Rock N Roll. He is the regular guy.
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Imagine if Beethoven had a tape recorder. Then you'd know exactly what he meant. Maybe he meant 'Da da da da' instead of 'Boom boom boom boom!' Who knows?
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I never dreamt of being a musician for my livelihood. I certainly never would have wanted to be in the business that I'm in, meaning the fame and the glory, the glitter, the rock star, the famous part.
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The reason I didn't fly over from Maui at their beck and call is my wife was about to have a baby at any time. Those guys knew that. These guys would not compromise and meet me halfway.
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I don't feel a day older when it comes to my approach to music or what gets me off than when I was a teenager. I've always been into different kinds of stuff and when I play I like to play loud. I like my arm hairs to move and I like my body to vibrate 'cause I like the feel of it; I'm still a teenager at heart.
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Whether I sound like Sammy or not is purely coincidence. You have got to hand it to him, he sings his ass off. There is no moss on that stone.
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Every year on your birthday, you get a chance to start new.
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There is no substitute for jamming and getting to know each other on the road.