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The reason I didn't fly over from Maui at their beck and call is my wife was about to have a baby at any time. Those guys knew that. These guys would not compromise and meet me halfway.
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You are in a state of mixing, and you just live with it. There is not one musician who is completely happy with a mix.
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It's all about sound. It's that simple. Wireless is wireless, and it's digital. Hopefully somewhere along the line somebody will add more ones to the zeros. When digital first started, I swear I could hear the gap between the ones and the zeros.
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I didn't think I'd be around 30 years later.
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I would just like to say that after all these years of heavy drinking, bright lights and late nights, I still don't need glasses. I drink right out of the bottle.
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You have Extreme and Van Halen and the history that I have with other people I played with. There are some effects that will hopefully break that stereotype.
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If people get to the end of the record, then that is a treat.
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I don't want to talk about negative, dark things. The only thing I've got against stuff like Marilyn Manson is, they make unbelievable videos and unbelievable images.
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When I was singing Jamie's Cryin', people were going out of their mind because it was the first time they got to see Eddie, Michael and Alex play those songs. That was a thrill.
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Nirvana was huge, but it didn't appeal to everyone.
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The voices on the record, that was trying to treat my voice like guitar players treat guitar tones.
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Every year on your birthday, you get a chance to start new.
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I never dreamt of being a musician for my livelihood. I certainly never would have wanted to be in the business that I'm in, meaning the fame and the glory, the glitter, the rock star, the famous part.
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I tried to stick with what I knew best, which is writing rock n' roll songs and melodies. I am as passionate as I was when I was 20.
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I had been in Africa for six weeks on a safari with my family. I said, "You know, I made a lot of money. I am getting kind of burned out. I really want to do something special." So I went on this extended trip to Egypt, Kenya, Sardinia - I really did it, man. I was coming home, and while I was gone, they changed the speed limit from 65 to 55.
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I'm still raising kids myself, so I don't feel like a grandpa.
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If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
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It's all about sound. It's that simple.
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I never took guitar lessons. I took classical piano lessons from the age of six when we lived in Holland. And when we moved to America, it was just the typical thing except I was really good at it; so was my brother.
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Whether I sound like Sammy or not is purely coincidence. You have got to hand it to him, he sings his ass off. There is no moss on that stone.
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There is no substitute for jamming and getting to know each other on the road.
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There are really three parts to the creative process. First there is inspiration, then there is the execution, and finally there is the release.
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It comes back to the same old question people are always asking me: 'When are you going to do a solo record?' Well, if I did, it would probably be similar to 'Baluchitherium,' meaning it would be Van Halen music - which I write anyway - but without singing.
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On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.