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Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with?
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I have had success throughout the years. Some of the hard rock bands today don't have the history that I have.
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If you have a higher reason ... than just to make money... it will bring you longer fulfillment. And it won't feel like work.
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I am a big Pink Floyd fan. That is where a lot of the concept lyrics come from.
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When I was growing up and listening to bands like the Dave Clark Five, the groove was what initially got me going. I really like that funky, heavy groove.
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We weren't One Hit Wonders. We had a few hits.
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I have pictures of me sitting in the racquetball court in my pajamas with an acoustic guitar, and Wolfgang is probably just two-and-a-half-feet tall. I'll never forget the day I saw his foot tapping along in beat! I knew then, I couldn't wait for the day I'd be able to make music with my son. I don't know what more I could ask for.
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Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
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When I was in Van Halen I was hitting notes that were out of my range. I never went for those registers before until Eddie pulled it out of me.
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I'm the one in the band that said I'm not going on tour unless we do a record.
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We didn't gel with Poison and the Bon Jovi. Bon Jovi was the best of the pop metal bands, but we never fit in with the hair metal stuff. We were never as hip as the Chili Peppers. We were in the middle.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument. I'm very brutal on my instruments, but not all the time.
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Before the operation on my left hand I wasn't able to stretch my fingers open all the way. I've never had very big hands, but I could do the splits with them. Eventually I couldn't any more. I had a twisted tendon in my little finger that prevented me from being able to stretch.
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And if I would have taken lessons I probably wouldn't have done it, and what forced me to do all this weird stuff on the guitar was I couldn't afford effects pedals, I didn't have all this stuff when I was a kid so I just tried to squeeze all the weird noises I could out of the guitar, which brings me to building guitars.
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Overall, we had about 50 meetings where the brothers would say that I couldn't do any solo records, I couldn't write for other people, I couldn't do this and I couldn't do that. These guys were trying to nail my feet to the ground.
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David Lee Roth had the idea that if you covered a successful song, you were half way home. C'mon - Van Halen doing 'Dancing in the Streets'? It was stupid. I started feeling like I would rather bomb playing my own songs than be successful playing someone else's music.
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There is nothing like singing a song that 20,000 people know and are singing back to you.
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You can tell the difference between songs that were created in a garage and songs that were created in the studio.
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If I had had a chance to tour with Van Halen before the record, I think it would have been a different record.
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There's a plaque on our wall that says we've sold over 65 million albums, and I don't feel I've accomplished anything. I feel like I'm just getting started.
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It's always a Catch-22 situation. They hate you if you're the same, and they hate you if you're different.
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It's all about sound. It's that simple.
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When we were on the road, I found out that my greatest hits album went Gold. They freaked out. Things really came to a head when we started arguing about a Van Halen greatest hits package.