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We weren't One Hit Wonders. We had a few hits.
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Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with?
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If you have a higher reason ... than just to make money... it will bring you longer fulfillment. And it won't feel like work.
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I have had success throughout the years. Some of the hard rock bands today don't have the history that I have.
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I am a big Pink Floyd fan. That is where a lot of the concept lyrics come from.
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It's all about sound. It's that simple.
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Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
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When I was growing up and listening to bands like the Dave Clark Five, the groove was what initially got me going. I really like that funky, heavy groove.
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I have pictures of me sitting in the racquetball court in my pajamas with an acoustic guitar, and Wolfgang is probably just two-and-a-half-feet tall. I'll never forget the day I saw his foot tapping along in beat! I knew then, I couldn't wait for the day I'd be able to make music with my son. I don't know what more I could ask for.
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We didn't gel with Poison and the Bon Jovi. Bon Jovi was the best of the pop metal bands, but we never fit in with the hair metal stuff. We were never as hip as the Chili Peppers. We were in the middle.
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When I was in Van Halen I was hitting notes that were out of my range. I never went for those registers before until Eddie pulled it out of me.
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I'm the one in the band that said I'm not going on tour unless we do a record.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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Before the operation on my left hand I wasn't able to stretch my fingers open all the way. I've never had very big hands, but I could do the splits with them. Eventually I couldn't any more. I had a twisted tendon in my little finger that prevented me from being able to stretch.
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And if I would have taken lessons I probably wouldn't have done it, and what forced me to do all this weird stuff on the guitar was I couldn't afford effects pedals, I didn't have all this stuff when I was a kid so I just tried to squeeze all the weird noises I could out of the guitar, which brings me to building guitars.
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I had been in Africa for six weeks on a safari with my family. I said, "You know, I made a lot of money. I am getting kind of burned out. I really want to do something special." So I went on this extended trip to Egypt, Kenya, Sardinia - I really did it, man. I was coming home, and while I was gone, they changed the speed limit from 65 to 55.
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Overall, we had about 50 meetings where the brothers would say that I couldn't do any solo records, I couldn't write for other people, I couldn't do this and I couldn't do that. These guys were trying to nail my feet to the ground.
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A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument. I'm very brutal on my instruments, but not all the time.
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There's a plaque on our wall that says we've sold over 65 million albums, and I don't feel I've accomplished anything. I feel like I'm just getting started.
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It's always a Catch-22 situation. They hate you if you're the same, and they hate you if you're different.
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David Lee Roth had the idea that if you covered a successful song, you were half way home. C'mon - Van Halen doing 'Dancing in the Streets'? It was stupid. I started feeling like I would rather bomb playing my own songs than be successful playing someone else's music.
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To stay a great singer or guitar player, you've got to do it 24/7. That's what I do.
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There is nothing like singing a song that 20,000 people know and are singing back to you.
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You can tell the difference between songs that were created in a garage and songs that were created in the studio.