Twenty One Pilots Quotes
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When you write music that expresses doubt or concern, or talks about some of the darker things that a developing human goes through, people will come out of the woodwork to listen to someone else say it out loud.
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We're not the first people to climb up something or do a backflip during a set, but we want to do something that gets people's attention.
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We've done that whole spectrum of different varieties of shows, and we've figured out the best way of capturing the audience and taking them to a place where they will have an experience that they will never forget, whether they don't like it, or they actually resonate with what we're trying to do.
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We're always trying to outdo ourselves, trying to do better, trying to write better songs. I think we want to inspire other people as well, so that's what we'll try to do through future songs.
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There's so many people who have never heard of us, but I think what we've learned is you can't underestimate the power of a core fan base and people who believe what you're doing. I think they're the ultimate marketers. They're the ones promoting us.
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Our palette is wide and eclectic. That's why we crank out a lot of different styles. To some people, it makes us seem disjointed or scattered. But when we play live, it makes sense to us.
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Blurryface is a fictional character and a reference to insecurities, which I think all people have.
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We just want to outdo ourselves every time we come back somewhere.
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It's hard to be in the limelight and write songs that cater to fans that have expectations of you. We just want to write songs that we love, but all the different people with different ideas coming in make it difficult. We have to ask ourselves if we're writing for the most important people: the fans.
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The really cool thing about festivals is that you're getting to play in front of a whole lot of people who have never heard of us before. That's exciting. At the same time, it's a little bit of a challenge to capture the attention of people who have already seen a lot of bands.
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That's the philosophy that we have always had. Going and playing in front of people and leaving an impressive from that standpoint.
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I like candles. It helps cover up for the fact that I have four male roommates.
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I guess when I first started writing music, I really had no idea if anyone was ever going to hear what I was writing and almost no intention of people hearing it. So, it was kind of this journal. It was pretty unfiltered.
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After talking to people and meeting them every day, I realize that a song can be written from one perspective with an objective in mind. What is crazy about it is that many different people can take one song a totally different way. That is so cool, since music is a universal thing and a very personal thing.
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We come from a sensory-overload culture, and so we wonder if one guy on drums and one guy dancing around is enough. Adding guys was something we always were curious about. We decided for this run specifically to stay a two-piece. In the future, we definitely could add members.
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'Twenty One Pilots' is a play by Arthur Miller, who also wrote 'All My Sons.' It's about a guy who's creating and developing parts for airplanes in war time, when it comes to his attention that some of these parts were faulty.
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One day I said to my dad, 'Are you disappointed that I'm working a minimum-wage job and I didn't go to college?' I'll never forget his response. He said, 'It's not about how much money you make or what your job is, but it's more about your character. For that, I'm proud of you.'
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Live shows have been going on for so long, can you really do something that's never been done before?
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A lot of bands have an unfortunate past; we've dodged a lot of bullets when it comes to that.
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I had to make 500 shots every day, and when my mom wasn't looking, I'd get up closer to the basket and do lay-ups and count them, and she'd be at the back window at the kitchen and knock. Then I'd have to go back and shoot from longer.
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It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'
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I always wrote with some kind of angle of ignorance. I didn't know what was right or wrong.
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Music can connect people on an intimate level. What Josh and I are trying to do is represent anyone who has some of the questions that we have.
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It's all right to fail. You just have to get up again and try. That's the bottom line.