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I rate each album as better than the last one. That's how I see it.
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I know a man He came from my home town He wore his passion for his woman Like a thorny crown He said "Dolores I live in fear My love for you's so overpowering I'm afraid that I will disappear.
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I really don't know what exactly all the songs mean. Sometimes other people have meanings and when I hear them I think, 'That's really a better meaning than I thought, and perfectly valid, given the words that exist.' So part of what makes a song really good is that people take in different meanings, and they apply them, and they might be more powerful than the ones I'm thinking.
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There is a moment, a chip in time, when leaving home is the lesser crime.
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Cecilia was made in a living room on a Sony. It was like a little piece of magical fluff, bur it works. El Condor Pasa a Los Incas record that I love. Bridge is a very strong melodic song.
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I don't think [Dylan and the Beatles] influenced me a lot. I think it was inevitable; they were so powerful that you couldn't really escape the influence.
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You want to be a writer, don't know how or when? Find a quiet place, use a humble pen.
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Every generation throws a hero up the pop charts.
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How can you live in the Northeast?
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Big box just wasn't our strength. We are a men's and boy's specialty store focused on providing high quality clothing with custom tailoring. Our customer is king. When we had seven stores, communication between the stores and with our customers became more disconnected. We started to lose that great family 'camaraderie' that is essentially the key to our success.
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It was the year of the Beatles, it was the year of the Stones, it was 1964.
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A man walks down the street. It's a street in a strange world. Maybe it's the third world. Maybe it's his first time around. He doesn't speak the language. He holds no currency. He is a foreign man. He is surrounded by the sound, sound of cattle in the marketplace, scatterlings and orphanages. He looks around, around he sees angels in the architecture spinning in infinity and he says, "Amen" and "Hallelujah!
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Having a track record to live up to and the history of successes had become a hindrance. It becomes harder to break out of what people expect you to do.
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I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
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I try to open up my heart as much as I can and keep a real keen eye out that I don't get sentimental. I think we're all afraid to reveal our hearts. It's not at all in fashion.
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It's pointless to be critical of your stuff once it's done. I don't spend a lot of time agonising over it. It's of no importance once it's finished.
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If you can get humor and seriousness at the same time, you've created a special little thing, and that's what I'm looking for, because if you get pompous, you lose everything.
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It's very helpful to start with something that's true. If you start with something that's false, you're always covering your tracks. Something simple and true, that has a lot of possibilities, is a nice way to begin.
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In the clearing stands the boxer, and a fighter by his trade. And he carries a reminder of every glove that laid him down... or cut him till he cried out in his anger and his shame "I am leaving! I am leaving" but the fighter still remains.
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The public hungers to see talented young people kill themselves.
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When I was 15, I made a solo record. It made Artie very unhappy. He looked upon it as something of a betrayal.
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The more I get to thinking, the less I tend to laugh.
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Was a sunny day, not a cloud in the sky. Not a negative word was heard.
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The trick is, as I know it, is to care like hell and not give a damn at the same time.