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I'm still the best Keith Moon-style drummer in the world.
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I have deliberately kept singing because I have to at my age. If I stopped for even a year my voice would slowly deteriorate until it's not there at all. That's a fact about getting to my age.
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I wanted to be in a band that shared ideas and were in it together.
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What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh.
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Even modern English people are imperious, superior, ridden by class. All of the hypocrisy and the difficulties that are endemic in being British also make it an incredibly fertile place culturally. A brilliant place to live. Sad but true.
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I've learned a huge amount because I've been tested and, more importantly, I've been trusted.
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All you could do was to see them. We were backstage when the Beatles were on and you could just about hear a noise. It was just literally screaming.
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I used to be a great blues singer.
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I just could not believe that 30 years later we're still looking at people who are supposed to write little 2-minute pop that when they actually try to do something that's a little bit more they regard it as pretentious.
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With bass, especially bottom end, the vibration has to happen on stage otherwise the feel is wrong. This is why you can't scale the equipment down too far.
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The first eight songs we were using someone else's monitors and it is hard to follow the changes when you are jamming if you can't hear those who you are jamming with.
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I love Adele. That's a lead singer; that's the real deal.
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You can do too much and oversell your market.
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I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'
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First of all, you have to understand that I'm like anybody else. When I hear my voice on a record I absolutely loathe my voice. I cannot stand my voice.
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Monterey, I remember, but I seem to remember the Fillmore West, that we played the week before Monterey. That was much more memorable for me. The first time in San Francisco. They were good gigs.
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Who would have ever thought that I'd end up saying that I want to be an all-around entertainer? But that's what I want to be.
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I don't like Tommy on Broadway at all. I like the music, I'm pleased with Pete's success but I don't like what they've done to it.
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I don't mind doing the Who tours when they come along but I want to get out there and play.
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I don't care what people say about me.
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As a young man, every bone in my body wanted to pick up a machine gun and kill Germans. And yet I had absolutely no reason to do so. Certainly nobody invited me to do the job. But that's what I felt that I was trained to do. Now no part of my upbringing was militaristic.
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Fifty per cent of rock is having a good time.
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I deep sea fish a lot.
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To be completely honest, I think if I hadn't been bullied into the band, I would have been happier as an art student. I would have been happier in a Brian Eno world.