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I've always felt that music is an art form that deserves to live the life of the artist.
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All you could do was to see them. We were backstage when the Beatles were on and you could just about hear a noise. It was just literally screaming.
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I wanted to be in a band that shared ideas and were in it together.
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I think if Keith Moon was here today and you asked him to recall most of his early life or most of his life, he wouldn't be able to recall it.
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Even modern English people are imperious, superior, ridden by class. All of the hypocrisy and the difficulties that are endemic in being British also make it an incredibly fertile place culturally. A brilliant place to live. Sad but true.
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I just could not believe that 30 years later we're still looking at people who are supposed to write little 2-minute pop that when they actually try to do something that's a little bit more they regard it as pretentious.
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I've learned a huge amount because I've been tested and, more importantly, I've been trusted.
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What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh.
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The first eight songs we were using someone else's monitors and it is hard to follow the changes when you are jamming if you can't hear those who you are jamming with.
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With bass, especially bottom end, the vibration has to happen on stage otherwise the feel is wrong. This is why you can't scale the equipment down too far.
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I used to be a great blues singer.
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First of all, you have to understand that I'm like anybody else. When I hear my voice on a record I absolutely loathe my voice. I cannot stand my voice.
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Monterey, I remember, but I seem to remember the Fillmore West, that we played the week before Monterey. That was much more memorable for me. The first time in San Francisco. They were good gigs.
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Backstage, I get sleepy, and want to curl up and snooze. I never get nervous, whatever the event. I feel quite detached until I walk on stage, and then some gear inside me clicks and off I go like a wind up doll.
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You can do too much and oversell your market.
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I love Adele. That's a lead singer; that's the real deal.
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I don't mind doing the Who tours when they come along but I want to get out there and play.
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I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'
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I deep sea fish a lot.
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I don't like Tommy on Broadway at all. I like the music, I'm pleased with Pete's success but I don't like what they've done to it.
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As a young man, every bone in my body wanted to pick up a machine gun and kill Germans. And yet I had absolutely no reason to do so. Certainly nobody invited me to do the job. But that's what I felt that I was trained to do. Now no part of my upbringing was militaristic.
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Who would have ever thought that I'd end up saying that I want to be an all-around entertainer? But that's what I want to be.
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I mean, Eighteen years old is the age of consent in Europe and you can go anywhere and do anything you like. In America, it is dumb. At eighteen you should be able to do anything that you like, except get married.
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To be completely honest, I think if I hadn't been bullied into the band, I would have been happier as an art student. I would have been happier in a Brian Eno world.