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A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.
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They're always saying I'm a capitalistic pig. I suppose I am. But... it's good for my drumming.
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I love to see people laugh and I love it more if I can make them laugh.
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It's sad when people break up.
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I had me jaw broken, and so my chin stuck way out. That's how I became tough - I learned to pick up anything and fight back.
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We tend to think of age only in time, but I don't think it has much to do with time at all; there's a whole load of other things. I've met 16-year-olds who are old and 90-year-olds who are young.
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My love for the band is still there. It hasn't changed, maybe that's why it's so painful these days.
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I don't over-sing anymore, which I used to suffer from terribly because I couldn't hear myself.
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I was a rust repairer. I was a rust repairer and full-time survivor. I survived all the major earthquakes, and the Titanic, and several air crash.
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I don’t think the drums are a solo instrument. Drums are there to set the beat for the music.
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We were gradually playing larger venues and in the early days PA systems were kind of non-existent. So to play loud, we had to use louder equipment. The PA systems back then didn't mic the instruments - only the vocals.
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I thought if I lost the band, I was dead. If I didn't stick with the Who, I would be a sheet metal worker for the rest of my life.
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I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.
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I don't think there's any way it could have failed. We don't know failure in this band. We didn't know failure. We got to know it a little after awhile but at that time there was no such word.
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I feel there must be an enormous amount of really talented songwriters out there who can't sing.
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Give me a mandolin and I'll play you rock 'n' roll.
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I never understood that if you sweat as much as I used to every night, you drain your body of salts. So I got very, very, seriously ill. I got to the stage where I was almost hospitalized with serious problems.
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We'll open for anyone, we are just looking to play.
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I'm still the best Keith Moon-style drummer in the world.
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I supply the music for Vampires, which is a new series that's coming out.
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Well, for the My Generation album, there was nothing to be nervous about in them days. We used to take every day as it came. Every day was just a gig and I think we did the recording between gigs literally.
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This band makes sure that we have whole sections of stuff that are free form so that they don't know what we are doing next, that is the fun part of playing. You are playing something that you haven't ever played before.
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I think if Keith Moon was here today and you asked him to recall most of his early life or most of his life, he wouldn't be able to recall it.
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All you could do was to see them. We were backstage when the Beatles were on and you could just about hear a noise. It was just literally screaming.