Florence and the Machine Quotes
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I have this sensation of being in flight all the time, but being on stage is like creating a sanctuary in which you can completely lose yourself. The bits of your personality that you keep under wraps in ordinary life, you can let them run free.
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I feel things in quite an intense way. I'm not actually the most intense person.
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I like to wear clothes that I will wear when I am an old lady.
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I try to write lyrics so that they won't age, which sort of leaves you with the big subjects like death and love and sex and violence.
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I've built my wardrobe color palette around red, so I'm happy with it, but I do get pangs when I see beautiful brunettes. I've already been blue, green, black, and blonde.
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I think I've always looked older than I am. I hope that's going to work in my favor when I get older.
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I've always been able to just concoct a melody quite easily - it's just kind of instinct, really. You've got to channel your subconscious.
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I think I just get excited by music, and, like, singing is a very physical thing. It releases endorphins in your body. You're using almost muscle in there, and I think that adrenaline really helps to kind of make the songs fresh every time.
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I look really odd in jeans and a hoodie - it doesn't feel or seem right.
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If you asked me to go back to being 14 or 15, I couldn't - it was a terrifying time. I was so awkward in my own skin. I used to hide behind my hair because I was so ridiculously self-conscious.
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I always seem to feel that everything is about to cave in on me. I think that maybe music is my protection from that and in some senses it's an outlet to turn it into something euphoric: embracing the eventual decline.
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Bono told me how to dance in high heels and he also told me about U2's Glastonbury performance and how everything that could have possibly gone wrong went wrong, including him ripping his trousers on stage. I think he was lunging and his trousers ripped! He was telling me how he had to find a new way of performing that didn't involve moving.
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I think music should be scary. Music is an exorcism.
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I used to dress like an eight-year-old boy. Traveling has inspired me to be more experimental.
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When something really hits me, it makes me want to either jump off something really high or lie down and be buried. I want people to get hit and caught by my music.
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I'm really careful with what the music gets put with, and we say no to so much stuff, loads of it, for things that might quadruple the sales of my album. But if it doesn't fit then it doesn't fit, you know?
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I didn't want to become a personality, I wanted to be a musician, but because I didn't have an album to stand by yet it was hard for people to see that. But now, two albums in, I'm happy with things.
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When making the first album, I think I wrote a song about every six months. The first album was so much about the vocals carrying it.
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It would be too frightening for me to consider myself a role model. But I like the idea of not being afraid of letting your imagination rule you, to feel the freedom of expression, to let creativity be your overwhelming drive rather than other things.
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'Spectrum' is in part a disco song. But we play it hard, and it's a real euphoric, wailing tune. It's kind of like a total house anthem, in a way, but it seems to be going down really well. We've got all the grunge kids going mad for disco house raves.
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My mum wanted me to go to university.
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Growing up, I always wanted to be in punk bands, so I'm really enjoying the harder, heavier element. It's always been my dream to have people moshing at my gig, kind of that really feral element of the music coming out more. I love crowd-surfing.
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Look, if Givenchy is going to lend you a dress, I'm not going to turn it down. I would wear that dress to just go out and buy a pint of milk if they would lend it to me.
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In a conversation, the words can get stuck, I don't know what to say, I get very anxious.