Florence and the Machine Quotes
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I like the idea of taking off like a bird.
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At the beginning of my career I was going through a really weird phase of dressing in boys clothes. I would only wear one American Apparel T-shirt and shorts and brogues the whole year round. Not the same T-shirt, obviously, but one style of American Apparel T-shirt. I think I was going through a tomboy stage.
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Everything you ever wanted in your life is in your mind.
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The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.
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I'm a choir girl gone horribly, desperately wrong.
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You know, people always ask, 'What are you like offstage?' And I always say, 'Well, I'm completely normal and mellow.'
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But I was always much more interested in reading fashion magazines than I was music magazines when I was a teenager. Just that sense of romanticism and escapism and the dream of it has always been quite alluring to me, as well as that sense of becoming a character through clothes.
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I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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I definitely have a real self-destructive streak.
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What I really like seeing from the stage is people having their own moments, when people are doing some performance of their own.
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I've got my ideal job. I like to sing, I like to dance, I like to bang drums and dress up, and someone pays me - it's incredible.
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Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
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I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interesting... maybe I'm just a frustrated interior designer stuck in a singing career.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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I saw 'The Artist.' It's really beautiful and it's all done to the letter with all the silent film techniques. The costumes were amazing and the dog is so good.
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The sense of jubilee for music and what we're making is always genuine.
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I am obsessed with the whole Victoriana thing, the whole Jack the Ripper London era, the grayness of it, the haunted feeling of it, all ancient and bloody.
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I love that sense of release as you throw yourself into the crowd as hundreds of arms are carrying you.
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I'm one of those people that is up for most things. When I was offered to sing at the Oscars I was like, 'Yeah, I want to know what that's like!' I'm always curious to know what things are like - as long as you're not compromising who you are.
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Touring, and being in a band, it's almost like the other stuff, the other parts of life, get put on hold.
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The Teenage Cancer Trust does incredible work supporting and caring for teenagers and young adults with cancer, and it's a cause that is really close to me and my family.
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I think I should get a bigger between-the-song persona, so then I'm not wandering around the stage like some mad old auntie that's saying hello to people and falling over.
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Music is my way out. I keep things locked up and never say anything. I guess in order to say something to one person, I have to sing it to a couple of thousand. It doesn't make for healthy relationships.