Florence and the Machine Quotes
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For me, ‘Dog Days’ symbolizes apocalyptic euphoria, chaotic freedom and running really, really fast with your eyes closed.
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I think "waste of your brain" is something that my mother would say to me occasionally - I think it's usually when I'm telling her something like that I can remember every outfit I've ever worn.
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The stage is the place I feel comfortable - it's almost as if real life is where I feel most nervous. Conversations are a lot more nerve-wracking.
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The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.
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I tend to lose myself in the moment. I’m not very good at holding back. I don’t know how to do this without feeling everything. My emotions are the tool I use to perform.
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Lay me down, Let the only sound, Be the overflow, Pockets full of stones.
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It’s good to be vulnerable in amongst the grandeur; you shouldn’t lose that sense of intimacy and vulnerability with people.
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You can forget anything, and actually being a part of a crowd, of a group, can itself be freeing.
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I can't just have one painting - I need to cover the wall in paintings. It's the same with my music. I want to mix everything together to create more.
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Well, I'm completely normal and mellow.
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I was always that girl growing up who you could find dancing down supermarket aisles. It's that sense of not feeling inhibited. Dancing in supermarkets is my favorite thing.
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I always find entertainment in the support band.
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When you're dressed up as David Bowie, with your eyebrows completely bleached, and you're doing this kind of strange dance with Paul McCartney while singing "Rebel Rebel" in the middle of the Met ball, and Madonna's looking at you . . . I was just thinking, It's become a bit weird.
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I can’t worry too much about the everyday things. Otherwise I’d lose touch with my own world, that helps me as an artist, but it’s frustrating for the people around me. I’m vaguely functional, but there’s always something slightly off.
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If you do something with your whole heart and it's a mistake, you can live with that.
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Do it all the time – work hard. It’s hard work .
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Having a soul, they say, is like taking sadness and turning it into something beautiful.
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I wanted to be a witch when I was a kid. I was obsessed with witchcraft. At school, me and my two friends had these spell books; I always wanted a more magical reality. I had a little shrine at home and I did a spell to try and make the boy in the other class fall in love with me.
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It was a complete dream to work with David LaChapelle. I collected his books as a teenager, and I fantasised that he would direct the video for 'Spectrum' from the moment the song was written. I still can't believe it actually happened, and I'm completely overjoyed that he felt such a connection with the song.
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It's always darkness before the dawn.
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If you see a river running smoothly, it's because someone has drowned in it, and if it's raging, it means that it's still got bloodlust.
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I've been thinking about songwriting more in terms of playing it live, and how it will sound as a band.
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I want my music to sound like throwing yourself out of a tree, or off a tall building, or as if you’re being sucked down into the ocean and you can’t breathe… It’s something overwhelming and all-encompassing that fills you up, and you’re either going to explode with it, or you’re just going to disappear.
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Hands up if you’re ready to do something you’ll regret this weekend. Go forth! You have my blessing.