Yes Quotes
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When I left I just played in rock bands, and started playing acoustic, washed dishes, but pretty much supported myself with music.
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With how huge Yes was, especially in the '70s and '80s, as a touring band and actually playing at the JFK Stadium in Philadelphia to 130,000 people, which is the biggest-paying show ever in rock history, you would think we'd done enough for the Rock and Roll Hall of Fame.
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My thoughts and wishes are all that surrounds, mysteries hold you then fly you away. You know you are my life, my lady of dreams.
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At the end of the whole day of working with people you want some privacy.
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They have the highest customer satisfaction that I've seen.
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I practice at home, in between phone calls, and have much to do.
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Pull the good out of it and not worry about the drawbacks.
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It's simple: this partnership allows consumers to fire their phone company and sign up for the high-quality, low-cost voice and broadband solution that they deserve.
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I think it was 'Tales of Topographic Oceans' on 8-track that was the funniest thing because it would fade out in the middle of a song and fade back in again, and when the tracks change, it was quite amusing.
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The idea of 'Yes on Broadway' has come up. It would reflect the history of Yes.
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Plus I am being hounded by all the fabulous new drummers, Bill Stewart at the head of the pack.
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I think that Yes' music is kind of on its own out there, and it goes through different chapters, and that involves different people. I don't think it's a case of 'any year is better than any other.' They can all co-exist quite comfortably.
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The demand is going to come later and be stretched over an extended period of time.
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I learned to do a few tricks that other people hadn't done before. I developed that trebly bass thing a little further.
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There's so much corruption in America; there's so much corruption around the world. It's all coming to the surface thanks to the Internet, and thanks to the younger people who are saying, 'We don't like corrupt people.'
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War is big business. It's a lot of money going to and fro, and unfortunately a lot of angst, and a lot of fear, and a lot of doubt. And eventually a lot of wonderful people, like soldiers, like men and women that are out there trying to do the best they can, they come back being wounded on many levels.
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I do have a vague recollection of reviving the cover of The Beatles' 'Every Little Thing,' but I don't know if that was just our riffing on it in rehearsal. I don't think we ever did it actually in the show.
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If it's fast, no I don't have enough piano technique. In that case, it's probably been done on some kind of synthesizer or sequencer. Then the score can then be printed out and so forth.
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I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
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Now with Pro Tools, you can play with layers and 100s and 100s of tracks. When we used to do it back in the day, you had one shot, or you would have to wipe it and carry on over that track.
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With NOAH, you can create some stunning, yet original soundscapes. Therefore, as a performance tool, it really comes into its own because you can make one single performance which has a lot of detail.
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We are all in Christs energy. We are all in the divine plan. We are all on the sacred journey, if you want to put it into some very spiritual words. And I like to sing about it, so thats what I do.
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I don't have any assistants, I do it all myself, I don't have any secretaries.
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I think if you let go of preconceived ideas, you'll find everything in this life. For me, my understanding is God is all that is, God is everything, all that is, and your true God is within, and that's the power that you have as a human being.
