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You have a growing network and the computers need to be advanced. Most counties have a network administrator and staff.
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I thought, 'Wow, if we could have a career that was five or six years long, that would be fantastic.' And, of course, never even thinking it would still be something I'd be doing in 45 years.
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Just the actual physics of putting it all together, you know, the latter period is actually quite fragmented in terms of the licenses and all those things so it makes a compilation of the full twenty years really a technical minefield.
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Now with Pro Tools, you can play with layers and 100s and 100s of tracks. When we used to do it back in the day, you had one shot, or you would have to wipe it and carry on over that track.
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I think when you follow a band, you're following a - and I don't like to use the term 'brand,' but you are following a kind of style, if you like. So I think you have to accept that there will be different people involved from time to time.
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I've had to replace parts in the basses when they've gotten old or worn out, so everything isn't absolutely original.
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I don't have any assistants, I do it all myself, I don't have any secretaries.
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The thought of having a kid stricken with cancer just floored me. My children are everything to me.
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We have always tried to treat every album differently and even from day one I think that each Asia album has been approached with care and thought and hopefully that shines through twenty years later.
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It's not beyond the possibility that there still could be a YES in 200 years' time... of course with different members, unless the medical profession comes up with something extraordinary.
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I've been called the journeyman. It's really more by default than it is by design.
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There's always the joy of the performance and fine-tuning new interpretations. Over the years, we've all grown as musicians, so obviously there is a lot of subtlety that wasn't there in the first place.
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There's only one reason we live. It's very simple. To find the creator. That's just my understanding.
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I think if humans are really going to explore the solar system, or go beyond our immediate neighborhood, we are going to have to go with nuclear power. Nuclear power really is the development of the steam ship compared to sailing ships.
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I guess the idea of doing albums in their entirety, in sequence, appeals to people. I guess it's the memory of being able to hear the music in the way it was originally presented.
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We did do the whole of the live suite from 'Fly From Here,' and that was very enjoyable to do. In fact, that is actually our longest piece of music, I think, that we'd ever done.
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Well, I think that it is complicated in that the first four albums were all with Universal so they have the rights to that and therefore it is a lot easier for them to do that period.
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Voice is 10 times that of the access business.
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And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.
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Persistence is a pretty important part of making it in this business, which, in retrospect, is the easy part. Maintaining a profile is the difficult part of the job. Somehow or another, I muddled through that system and somehow am around to still enjoy playing for people.
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Everybody wants to be American, it seems; I travel enough to know.
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The other guys and myself have agreed that Billy Sherwood will do an excellent job of covering my parts, and the show as a whole will deliver the same Yes experience that our fans have come to expect over the years.
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We get a lot of calls at this time of the year when everyone is greasing their reels and tying flies wondering what lakes are being planted with trout.
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Large companies from out-of-state still look at the Mormon factor and wonder if they can conduct business here. But with the Provo Airport gearing up, and if we get regular scheduled flights, that would help our growth.