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Onstage, it's more of a momentary pressure.
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As much as I want to go out and tour every single day and I'm ready to rip it right now, there's five people in the band, there's five people who've evolved and grown and there's five people who have to get on the same page and want the same things, and it takes a lot to tour.
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Directing a movie is serious, it's not a joke.
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It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.
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One of the things that was confusing about Limp Bizkit to some people is that our tastes were very different.
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When I was young, I had one of those Yamaha drum machines, and I used to practice to that quite a bit, just to practice soloing and being in time and completing all my phrases.
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It's amazing how, over time, a person's perspective can be altered.
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I've always liked funk and rock and everything.
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We've got many different sides of music to us.
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You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.
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If you wanna know how not secure you are, just take a look around. Nothing's secure. Nothing's safe. I don't hate technology, I don't hate hackers, because that's just what comes with it, without those hackers we wouldn't solve the problems we need to solve, especially security.
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I want to clear my mind a little bit and give my mind a little bit of time to breathe so I can pinpoint or at least nail down feelings I'm having and that I've had for the last however long. I need to nail them down long enough to actually write about and elaborate on them.
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I usually go with the first instinct, and then build upon that.
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Jazz was more of a tool for me to use to enhance my musicality.
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Sometimes the band can't fully hear your fill, so they come in differently. So I've also learned not to really step out too much, because you sacrifice the band when you do that.
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I'm a romantic guy.
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I'm 38 years old and Limp Bizkit is just something I do. If I was a painter, it would just be a type of painting I make.
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Sometimes you feel like it's cursed when something takes so long to come out and you don't know if it's going to really come out.
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When the snares don't hit together, it's just the most awful thing to hear.
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I'm OCD beyond comparison.
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I loved the Cure and Bauhaus and the Smiths. The people in my town weren't privy to that kind of music and I got abused. I discovered the microphone to get out some of that angst.
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I think they'd rather us follow our hearts and I hope that's what some people will understand.
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I'd take the syncopation and play swing, and then read the syncopation lines with my left hand.
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I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.