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I didn't want to do a throwaway, mindless movie with fart jokes just to make 6-year-olds laugh. I want to provide my children with some substance.
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It's amazing how, over time, a person's perspective can be altered.
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It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.
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Onstage, it's more of a momentary pressure.
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I want to clear my mind a little bit and give my mind a little bit of time to breathe so I can pinpoint or at least nail down feelings I'm having and that I've had for the last however long. I need to nail them down long enough to actually write about and elaborate on them.
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Directing a movie is serious, it's not a joke.
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When the snares don't hit together, it's just the most awful thing to hear.
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Sometimes you feel like it's cursed when something takes so long to come out and you don't know if it's going to really come out.
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I'm OCD beyond comparison.
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You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.
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We've got many different sides of music to us.
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When I was young, I had one of those Yamaha drum machines, and I used to practice to that quite a bit, just to practice soloing and being in time and completing all my phrases.
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I loved the Cure and Bauhaus and the Smiths. The people in my town weren't privy to that kind of music and I got abused. I discovered the microphone to get out some of that angst.
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I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.
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As much as I want to go out and tour every single day and I'm ready to rip it right now, there's five people in the band, there's five people who've evolved and grown and there's five people who have to get on the same page and want the same things, and it takes a lot to tour.
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I've always liked funk and rock and everything.
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We knew we wanted to put a lot of melody into it - a lot more than what we did on our first album.
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I think they'd rather us follow our hearts and I hope that's what some people will understand.
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Sometimes the band can't fully hear your fill, so they come in differently. So I've also learned not to really step out too much, because you sacrifice the band when you do that.
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I usually go with the first instinct, and then build upon that.
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I'm 38 years old and Limp Bizkit is just something I do. If I was a painter, it would just be a type of painting I make.
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If you wanna know how not secure you are, just take a look around. Nothing's secure. Nothing's safe. I don't hate technology, I don't hate hackers, because that's just what comes with it, without those hackers we wouldn't solve the problems we need to solve, especially security.
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It's all about theme and development anyway. That's what music is about.
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I really just wanted to play the drum set and match that. I was never really into the percussion thing.