Limp Bizkit Quotes
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When the songs pop out, that's like the climax of us building.
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I didn't want to do a throwaway, mindless movie with fart jokes just to make 6-year-olds laugh. I want to provide my children with some substance.
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It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.
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Directing a movie is serious, it's not a joke.
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Onstage, it's more of a momentary pressure.
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Sometimes you feel like it's cursed when something takes so long to come out and you don't know if it's going to really come out.
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I'm OCD beyond comparison.
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I want to clear my mind a little bit and give my mind a little bit of time to breathe so I can pinpoint or at least nail down feelings I'm having and that I've had for the last however long. I need to nail them down long enough to actually write about and elaborate on them.
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You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.
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When I was young, I had one of those Yamaha drum machines, and I used to practice to that quite a bit, just to practice soloing and being in time and completing all my phrases.
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When the snares don't hit together, it's just the most awful thing to hear.
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I loved the Cure and Bauhaus and the Smiths. The people in my town weren't privy to that kind of music and I got abused. I discovered the microphone to get out some of that angst.
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We've got many different sides of music to us.
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We knew we wanted to put a lot of melody into it - a lot more than what we did on our first album.
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I've always liked funk and rock and everything.
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As much as I want to go out and tour every single day and I'm ready to rip it right now, there's five people in the band, there's five people who've evolved and grown and there's five people who have to get on the same page and want the same things, and it takes a lot to tour.
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I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.
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Sometimes the band can't fully hear your fill, so they come in differently. So I've also learned not to really step out too much, because you sacrifice the band when you do that.
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I usually go with the first instinct, and then build upon that.
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I think they'd rather us follow our hearts and I hope that's what some people will understand.
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I really just wanted to play the drum set and match that. I was never really into the percussion thing.
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If you wanna know how not secure you are, just take a look around. Nothing's secure. Nothing's safe. I don't hate technology, I don't hate hackers, because that's just what comes with it, without those hackers we wouldn't solve the problems we need to solve, especially security.
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Even on the drum level, it's all about stating your theme, going back to certain things that need to be emphasized, not doing fills for the sake of doing fills.
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I'd take the syncopation and play swing, and then read the syncopation lines with my left hand.