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I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.
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I'm a sentimental guy.
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I don't fight people for fun.
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Emotionally, I was affected a lot by Rage Against the Machine, not specifically the literal intention of the words or what it was about, but the feel, the sound, those phrases that got me.
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We knew we wanted to put a lot of melody into it - a lot more than what we did on our first album.
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Even on the drum level, it's all about stating your theme, going back to certain things that need to be emphasized, not doing fills for the sake of doing fills.
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For someone in my position, there's opportunities to be anything you want to be, even if you shouldn't be eligible, and I think that's left a bad taste in a lots of financers' and studios' mouths. Just cause someone's popular at one thing, letting them do the other isn't always the right thing.
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I really just wanted to play the drum set and match that. I was never really into the percussion thing.
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But I've gravitated more towards the drum set.
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I love jazz music and sad music. I'm a sentimental guy. I'm a romantic guy.
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When you're a kid, you see your parents reading the newspaper and you're like, 'God, why are they reading the newspaper?' When you're young, you're not reading the newspaper. But there comes a time in your life when the newspaper's cool.
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I love collaborating.
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I think ever since I was preteen I wanted to direct movies and tell stories.
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When you say something is very different to a core base that expects heavy music from you or very aggressive music, everybody tends to go, 'Oh, they're gonna get mellow, they're gonna get soft.'
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I think jazz is a wonderful learning tool.
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And touring is difficult when everybody's heads aren't in the same place.
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My Web site, everything I write in there is from me.
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Sometimes it's about less is more. It's about the seed. Thinking about this gigantic tree that you think is so beautiful but it started with this just seed.
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When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn't care who liked or who disliked.
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There's an insecure part of me that comes out of me, I get nervous. I don't know why, I wish I could overcome it because it gives me an anxiety feeling.
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I've always wanted to make movies.
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Prague is a dark place.
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I love finding EPs for bands that you just discover.
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Being in front of all these people staring at you and it helps you to dig down and become more emotional and get lost in it as you're feeding on people's energy.