Poison Quotes
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Thoroughly read all your contracts. I really mean thoroughly.
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If you want to give it a good go, you've got to make some sacrifices and be as dedicated as you can be. Particularly with 'Doctor Who.' It's two or three hours of line-learning a night.
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I started writing songs in high school and always wanted to have a band, and eventually my creative endeavors developed into Theocracy. So in some ways, you could say the vision has been there since I started writing songs.
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For me as a solo artist, I never want to be a nostalgia act.
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I think that every artistic venture is a risk, and it has to be that way, so you do as much preparation as you can and make that as thorough as you can possibly make it, until you turn up on set. It's about taking risks, and some might work and some might not, but that's what makes it interesting.
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Next time you bump your head, try to imagine being a monkey and getting a steel plate smashed into your skull at 50 miles per hour. Then, only then should you feel compelled to tell me that I'm wrong about my opinions. For all these things have happened in the name of science. They continue in abundance till this day.
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Be brave. Don't be afraid to be stupid.
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Now, the question of the hour is, "Who's got the Pandorica?" Answer: I do. Next question: Who's coming to take it from me? Come on! Look at me! No plan, no back-up, no weapons worth a damn! Oh, and something else, I don't have anything to lose! So, if you're sitting up there in your silly little spaceship with all your silly little guns, and you've got any plans on taking the Pandorica tonight, just remember who's standing in your way! Remember every black day I ever stopped you, and then, and then, do the smart thing: Let somebody else try first.
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It's very rare that I play cool people. I'm not sure what that says about me.
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As an actor, you'll have ten parts in 2015 - eight of them will go to the other actors above you and two of them you might be close to, and you try to make them as good as you can.
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Everyone wants to go to the party and the red carpet, but my life is 90% the work.
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It's been four years. It's been the best four years. It's been wonderful, it's been a privilege to work under Steven Moffat. But I think when you gotta go, you gotta go It's sad, I'm going to miss it. I'm going to miss Comic-Con as well. It wasn't an easy decision, but I dunno, you can't play it forever. And, look, they'll get someone amazing and brilliant, and that's the great thing about the show. It continues, and it will get bigger and better. And you'll forget about me.
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I'm particularly inspired by pristine locations. I enjoy working in areas where one can travel for miles without seeing any human influence.
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When you think about it, we’re all different people all through our lives, and that’s okay, that’s good, you’ve got to keep moving so long as you remember all the people that you used to be.
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History will only ever be partial, to a large extent history tells us what we think should be remembered and what should be forgotten, I find that really problematic.
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I'm interested in how a lot of people pull objects together to form an environment that we feel reflects ourselves or makes us feel comfortable.
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I think there's an interesting contradiction of having a young face and an old soul. There's something funny about it, and it also allows you to reinvent being old.
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Nothing can prepare you for the changes that take place in your life - for the changes, not only in my life, but my family's. Nothing can prepare you for the enormity and the transition that you go through.
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I'm not the new kid on the block anymore. Writers always use the phrase "aging rocker," and I'm like, "What other option do I have?" You're either aging or you're dead.
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No, I'm not religious. At all. I'm an atheist.
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I think Christians should be leaders in art, science, philanthropy, charity, and all kinds of good works. We should be good examples for everyone. Unfortunately though, that's not often the case.
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My palette contains a warm and cool of each primary, plus four modifiers: Yellow Ochre, Burnt Sienna, Blue-Violet and Phthalo Yellow-Green just mix as I go for each painting.
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When I'm painting outdoors, I only have time to think about what I'm saying, not how I'm saying it.
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In 900 years of time and space, I've never met anyone who wasn't important.