Poison Quotes
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I want to tell the story. Mostly, when you see rock movies, it has to be this over-the-top thing. I want to give people a Bret Michaels movie where they see that my life is a comedy of errors. I also want to show my fans how to get through the kind of troubles that would leave most people flat on the floor.
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I'm particularly inspired by pristine locations. I enjoy working in areas where one can travel for miles without seeing any human influence.
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Everyone wants to go to the party and the red carpet, but my life is 90% the work.
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Next time you bump your head, try to imagine being a monkey and getting a steel plate smashed into your skull at 50 miles per hour. Then, only then should you feel compelled to tell me that I'm wrong about my opinions. For all these things have happened in the name of science. They continue in abundance till this day.
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I think Christians should be leaders in art, science, philanthropy, charity, and all kinds of good works. We should be good examples for everyone. Unfortunately though, that's not often the case.
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For me as a solo artist, I never want to be a nostalgia act.
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Any band that is out there chasing it is doing more destruction to music then someone who is out there playing what they truly feel.
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In 900 years of time and space, I've never met anyone who wasn't important.
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If you want to give it a good go, you've got to make some sacrifices and be as dedicated as you can be. Particularly with 'Doctor Who.' It's two or three hours of line-learning a night.
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Be brave. Don't be afraid to be stupid.
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When I started Doctor Who Steven Moffat said, "That's it for the rest of your life." I'll be Doctor to a whole generation when they're 50.
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I started writing songs in high school and always wanted to have a band, and eventually my creative endeavors developed into Theocracy. So in some ways, you could say the vision has been there since I started writing songs.
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I think expectations of 'Doctor Who' should always be high, because it's a show that must always progress and get better and better.
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Lyrical content is very important to me. I'm always trying to make sure the lyrics and music complement each other perfectly.
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I'm interested in how a lot of people pull objects together to form an environment that we feel reflects ourselves or makes us feel comfortable.
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I think there's an interesting contradiction of having a young face and an old soul. There's something funny about it, and it also allows you to reinvent being old.
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It's been four years. It's been the best four years. It's been wonderful, it's been a privilege to work under Steven Moffat. But I think when you gotta go, you gotta go It's sad, I'm going to miss it. I'm going to miss Comic-Con as well. It wasn't an easy decision, but I dunno, you can't play it forever. And, look, they'll get someone amazing and brilliant, and that's the great thing about the show. It continues, and it will get bigger and better. And you'll forget about me.
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When you think about it, we’re all different people all through our lives, and that’s okay, that’s good, you’ve got to keep moving so long as you remember all the people that you used to be.
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History will only ever be partial, to a large extent history tells us what we think should be remembered and what should be forgotten, I find that really problematic.
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My palette contains a warm and cool of each primary, plus four modifiers: Yellow Ochre, Burnt Sienna, Blue-Violet and Phthalo Yellow-Green just mix as I go for each painting.
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When I'm painting outdoors, I only have time to think about what I'm saying, not how I'm saying it.
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I think you can hear the struggles and hear a realness in Theocracy songs, a human element that you don't get from a lot of the typical Christian stuff.
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I'm not the new kid on the block anymore. Writers always use the phrase "aging rocker," and I'm like, "What other option do I have?" You're either aging or you're dead.
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I got injured when I was a kid, and it prevented me from becoming a footballer.