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I don't think about the success that I've had - I've had a lot of success with music - but I always look at it like it's a new day.
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I got into music through just being inspired by my brother and sisters. They all sing, play instruments and write - and they're very good at it.
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I remember my brother came home with a bass and played a blues solo on it. I just went insane for days afterwards learning that.
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My brothers came home with country, jazz, everything... it was always very normal to me to make any type of music. It was possible to fuse all the sounds, so it never sounded confusing to me to mix jazz and dubstep.
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I'm trying to have some control over my image.
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I need to make money, but I don't want to be another guy selling his McDonald's to the pop market.
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I don't want to have to do production, which is very technical. I don't enjoy that.
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When I listen to a Coldplay record, you're gonna hear an indie band, and you know that's what you're gonna get from Coldplay. With myself, I'm not sure it's the same.
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When I was outed by Perez Hilton as bisexual, I suddenly started being asked personal questions, which was really difficult.
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My ethos is musical freedom: to create whatever I want.
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When I write promotionally, I guess I give away the ones I'm less connected to.
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Different cultures produce a different 'cool.' And your perception of 'cool' changes depending on where you are.
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As a breed, I think artists are never 100% satisfied with their work, and we will always want that little bit of extra time to put the final gloss on it.
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I don't see categories; I don't see styles - l see them all gelled together. And it was gospel that definitely helped me to do that.
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Everyone in my family has been in music - my cousins, my grandmother, my grandfather - so it's quite a big family tree.
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The accolades don't nourish me - being with loved ones and my dogs does.
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'Chandelier' took, like, four minutes to write the chords, then, like, 12-15 minutes to write the lyrics. Probably 10 or 15 minutes to cut the vocals.
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You can't go up to girls and start talking about minor 7ths and expect to pull. It's not going to work.
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I used to be addicted to 'Reader's Digest' growing up. I would read the stories about love, and I guess that's where I became a hopeless romantic. I draw from that a lot.
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If a transporter could send me from the bed with the dogs watching crappy TV to the stage five minutes before I go on, then immediately back to bed, I would love it.
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I'm an advocate of 'it's not what you are, it's who you are.'
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When I was younger, I'd be in the studio three days straight to get something right, and my manager would be like, 'Go home!' Even now, I still sleep in the studio sometimes, but I can't do it quite as often. I've got gigs; I can't have my hobo beard! But if you love what you're doing, you can't stop. It's obsessive.
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I actually tried to learn the dictionary at one point. It didn't work; I only got through the first few pages.
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I've made so many changes to my records because of the way the audience has reacted at the various festivals I've played - I've taken tracks back into the studio, stripped them bare, and built them back up again to create something entirely different.