LSD Quotes
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I think that it would be unwise of us not to believe that there is life outside of us, intelligent life. And so I do believe in aliens.
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When I was younger, I'd be in the studio three days straight to get something right, and my manager would be like, 'Go home!' Even now, I still sleep in the studio sometimes, but I can't do it quite as often. I've got gigs; I can't have my hobo beard! But if you love what you're doing, you can't stop. It's obsessive.
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I definitely didn't wanna be a one-dimensional artist that you can just put into one box. Because, to me, we're all masters of certain energies, and we all create different colours.
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I'm a musical geek. It's like there's this big, wild universe in my head, and I love to express it.
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I'm from Hackney, and it's an area that is not so pretty, and we have a different way of expressing ourselves than somebody from uptown that has lots of money.
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My brothers came home with country, jazz, everything... it was always very normal to me to make any type of music. It was possible to fuse all the sounds, so it never sounded confusing to me to mix jazz and dubstep.
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I'm trying to have some control over my image.
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I need to make money, but I don't want to be another guy selling his McDonald's to the pop market.
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I've made so many changes to my records because of the way the audience has reacted at the various festivals I've played - I've taken tracks back into the studio, stripped them bare, and built them back up again to create something entirely different.
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When I listen to a Coldplay record, you're gonna hear an indie band, and you know that's what you're gonna get from Coldplay. With myself, I'm not sure it's the same.
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I'm a hundred percent a rock n' roll guy.
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I remember my brother came home with a bass and played a blues solo on it. I just went insane for days afterwards learning that.
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As a breed, I think artists are never 100% satisfied with their work, and we will always want that little bit of extra time to put the final gloss on it.
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Everyone in my family has been in music - my cousins, my grandmother, my grandfather - so it's quite a big family tree.
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Different cultures produce a different 'cool.' And your perception of 'cool' changes depending on where you are.
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I've got perfectionist issues, as I can't seem to let tracks out the studio - it drives my manager nuts.
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I appreciate my music is famous, but I'd rather my face wasn't so that I can just live a normal life.
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I don't see categories; I don't see styles - l see them all gelled together. And it was gospel that definitely helped me to do that.
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I used to be addicted to 'Reader's Digest' growing up. I would read the stories about love, and I guess that's where I became a hopeless romantic. I draw from that a lot.
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My ethos is musical freedom: to create whatever I want.
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You can't go up to girls and start talking about minor 7ths and expect to pull. It's not going to work.
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When I write promotionally, I guess I give away the ones I'm less connected to.
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It's a lot easier producing for people or being in the background, and they can take all the fire from the front. But in order to express the ideas that I have without any kind of contamination, I thought it would be a cool thing to be out front.
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'Chandelier' took, like, four minutes to write the chords, then, like, 12-15 minutes to write the lyrics. Probably 10 or 15 minutes to cut the vocals.