LSD Quotes
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I've made so many changes to my records because of the way the audience has reacted at the various festivals I've played - I've taken tracks back into the studio, stripped them bare, and built them back up again to create something entirely different.
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I appreciate my music is famous, but I'd rather my face wasn't so that I can just live a normal life.
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When I was younger, I'd be in the studio three days straight to get something right, and my manager would be like, 'Go home!' Even now, I still sleep in the studio sometimes, but I can't do it quite as often. I've got gigs; I can't have my hobo beard! But if you love what you're doing, you can't stop. It's obsessive.
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I've got perfectionist issues, as I can't seem to let tracks out the studio - it drives my manager nuts.
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I can clear my mind, and lyrics just come out; it's very easy for me.
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My main thing is I just want to share as much hope and happiness as possible for music. If I can share as many moments and help people believe in themselves... if I can do that, then I'll feel like my job is done.
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I'm a hundred percent a rock n' roll guy.
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I love the idea of how fast can we make the song, but I don't think that I'm necessarily, like, a super-talented songwriter. I think I'm just really productive. One out of 10 songs is a hit.
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I don't ever think it's a good idea to try to recreate the success you've had before; it's all about chasing something fresh and new.
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I think producing a record for other artists is almost like giving them advice, and I would say that it is easier to produce another artist than it is to produce yourself.
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My dad and mom were in bands: the Soda Jerks, Fat Time, Girls at Play - which is a play on Men at Work.
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When you have a lot of people telling you what you are and perceiving you in a certain way, it's difficult to find your own identity.
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A lot of people come up to me expecting to meet the person they have seen perform. It's not going to happen, unless my mania, my stage person, responds to them and not the real me.
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Married life is awesome.
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I'm all for trying anything once; otherwise, you end up like David Guetta - reproducing the same formula over and over.
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I get to sit at home with the dogs on the sofa, record in a closet in the office, send them off and, if I'm lucky, make a million dollars.
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I don't do sessions for myself ever. I'm always working, writing for pop sessions. And what happens is that sometimes I like a song so much, I keep it for myself.
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It takes me, like, half an hour to write the lyrics for a song. They just come out.
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My dad is an egomaniac.
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I liked myself much more before I got famous. I was much friendlier and had more energy.
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One thing I always really enjoyed about Quincy Jones' production technique was that there were so many layers to every song. Like, one week you'd hear a new trumpet-line, then the next week you'd hear - be hearing a new guitar-line.
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English urban artists were very used to making secondhand American music, and I thought that was boring.
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I have so much to thank reality TV for.
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When you make a record, I always imagine people dancing to it. If the chef thinks it tastes good, then there will be someone who ultimately believes the same thing.