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I've got perfectionist issues, as I can't seem to let tracks out the studio - it drives my manager nuts.
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I'm a hundred percent a rock n' roll guy.
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I love the idea of how fast can we make the song, but I don't think that I'm necessarily, like, a super-talented songwriter. I think I'm just really productive. One out of 10 songs is a hit.
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I appreciate my music is famous, but I'd rather my face wasn't so that I can just live a normal life.
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I try as much I can after every live performance to read all the comments my fans post on Facebook and Twitter, as this helps enormously for me to understand straight from fans what worked and what didn't.
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I think it would be very difficult to maintain one kind of art or whatever for your whole life. I think it's unrealistic.
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I'm an advocate of 'it's not what you are, it's who you are.'
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I think, as an artist, I wear a lot of different hats, and people have to join all of the dots.
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I actually tried to learn the dictionary at one point. It didn't work; I only got through the first few pages.
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My main thing is I just want to share as much hope and happiness as possible for music. If I can share as many moments and help people believe in themselves... if I can do that, then I'll feel like my job is done.
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It's a lot easier producing for people or being in the background, and they can take all the fire from the front. But in order to express the ideas that I have without any kind of contamination, I thought it would be a cool thing to be out front.
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Married life is awesome.
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The hour and a half I'm on stage is my favourite part of the day when I'm on tour because the only part I really love is the interaction with the audience.
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My dad and mom were in bands: the Soda Jerks, Fat Time, Girls at Play - which is a play on Men at Work.
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That would really be my fantasy - maybe just do three shows a year and each year in a different city, just singing for the people who really want to see it, and then just write for other people. I do love to sing, but I'm just as happy singing in the bathtub, you know?
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I have so much to thank reality TV for.
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I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
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About 50 percent of the songs on the radio are like, 'Live like tomorrow doesn't exist. Like it's my birthday. Like it's the last day of my life'... Such a large percentage of pop music is really about party time.
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One thing I always really enjoyed about Quincy Jones' production technique was that there were so many layers to every song. Like, one week you'd hear a new trumpet-line, then the next week you'd hear - be hearing a new guitar-line.
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I'll be the songwriter for pop stars and then they can be the front person and I don't have to be famous.
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When you have a lot of people telling you what you are and perceiving you in a certain way, it's difficult to find your own identity.
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My dad is an egomaniac.
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People call me for the ballads. Apparently that's where I've been pigeonholed. But it's really interesting and really fun. It's my favourite part of the job, writing.
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My fans are like, 'Lab does what he does,' which is really cool. If I came out with a Jack White rock tune tomorrow, people would be like, 'Yeah, cool man,' which is great.