Phoenix Quotes
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Growing up in Versailles is like growing up in a museum, and the people living there are almost the security.
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There was never a choice to sing in English or French, that's the thing. We started a band and sang right away in English. You reproduce the thing you like, and most of the bands we liked were coming from England or the U.S. We also came to cherish the fact that there was no one in France singing in English -we were so happy Phoenix to be the first. Even if we are traitors to France, our country, which I'll never understand, because we talk about things that are very French.
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When I started writing, the first thing that came out was in English. I liked a few French things, but they were very overwhelming.
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In France, anyone can use your music on like a TV show or whatever - they don't need to ask permission. It's almost like a child when it has its own life.
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In an ideal world people would know the words just for the show and then forget them right after.
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In France a lot of songs were ruined by their associations with commercials. But so far no Apple commercial has ruined a song for me.
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It's hard to write new stuff when the songs you have written before are still changing and evolving. It would be like building something when the foundations there are not really solid.
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It's a complicated relationship with a guitar. I love the Bullet, for sure.
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I thought it was too 'glam rock' to practice. The problem is that now I'm a pretty bad guitar player.
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When you play in a band, you're in phase with people. When you're a DJ, you're totally off-phase. Your work time is 3 A.M. - 5 A.M. and I don't think you can connect. You're miserable the whole time. Whenever I see a DJ in the airport, they are always on the verge of crying.
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Sometimes a sound gets overused. There is such a thing as a good saxophone, but it's like those fields in agriculture - they need to rest for a year or so. You need time to burn all the saxophones and start from scratch.
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I think Björk is playing on the fact she knows she's eccentric and she accepts the fact.
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One of my favorite French singers, Alain Bashung, was the expert at creating his own universe; no one knows what he's talking about, even he doesn't know because it's so poetic.
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Some amazing records have this power to leave you with inspiration; you're left with the urge to write something. And some records are totally overwhelming, because they are so good, they burn the bridges behind them.
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I discovered that a lot of the songs I like, they're fantasies, a vision of something, but you don't actually live there.
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It's hard to talk about love without sounding either cheesy, or revealing too much personal stuff.
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The idea is not to please the most amount of people. Growing up in Versailles, the idea was to please the least amount of people.
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It's a great honor when somebody takes your song and does something different with it. That's what music is all about: to constantly change what somebody else has done.
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The basics of acting are really better in America than in Europe. Just the basic "fake laugh" is impossible to get in France.
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My heroes, I couldn't imagine them practicing. Like Bob Dylan, you know? Bob Dylan's a very, very good guitar player, but it's like he's trying to hide it. I always loved this attitude. When you're very good... it's like being an athlete - and I always hated sports!
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To me, the idea of living this lifestyle is so boring that I would prefer to read Marcel Proust the whole time during a tour.
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My favorite albums are really short.
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The bands you like and know that are French are always outsiders in the French music industry - Daft Punk, Air.
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When people say 'stadium songs,' it's really negative. All the festival headliners, I've realised, are usually the worst bands.