Nine Inch Nails Quotes
-
I spent a long time experimenting, saying, 'Here's a record that's free, or $5 if you want a nice version or $250 if you'd like a really nice coffee-table thing.' Everything felt like the right thing to do at the time and then six months later would feel tired. And I would feel tired. So that's one reason for returning to a major label.
-
For me, 'The Social Network' isn't about Facebook. It certainly isn't about how people use it. It's about a flawed character and his pursuit of that grand idea that defines him and validates his life and how far he'll go to get it, and the repercussions that come as a result of that - what he gives up in the process.
-
I don't even know why I'm saying this in an interview situation, but I always feel like I'm not good enough for some reason. I wish that wasn't the case, but left to my own devices, that voice starts speaking up.
-
I like it when I go into a cinema and I'm not aware that I'm there; I'm totally involved in the film for two hours.
-
When I first played 'Wolfenstein 3D,' it blew my mind. It had a big impact on me.
-
Balance is good, because one extreme or the other leads to misery, and I've spent a lot of my life at one of those extremes.
-
When I sit down to make a set list I usually think, 'We'll build it up here, take it down here, go into a quiet section here, explode here,' in a way that there's a flow and it doesn't feel like shuffle on an iPod.
-
As long as it feels valid to me and feels sincere, I'll do what I do under the moniker of Nine Inch Nails if it's appropriate. I would hate to think I would ever be in a position where I'm faking it to get a paycheck.
-
When David Fincher called me up a few years ago and said, 'Hey, I'd like you to score this film 'The Social Network,' I said, 'I'm flattered, but I really don't have any real experience scoring films, and I'd rather not screw it up on a high-profile project. And I like you and I don't want to compromise our friendship.'
-
I think it's just an awkward time right now to be a musician.
-
Live interaction with a crowd is a cathartic, spiritual kind of exchange, and it's intensified at a festival.
-
This isn't meant to last. This is for right now.
-
My input for the first 16, 17 years of my life was AM radio, FM radio - pretty mainstream stuff. Rolling Stone was probably as edgy as it got.
-
I write most of my songs when I'm in a bad mood.
-
When Twitter made its way to my radar I looked at it as a curiosity, then started experimenting. I approached that as a place to be less formal and more off-the-cuff, honest and 'human.'
-
My wife and I were in a band and worked together on and off since we were 19 or 20.
-
You know, if nobody knows who you are, nobody's going to buy your record.
-
I thought I'd reached the bottom a few times, but then I'd realise there was another 30 floors of despair below that.
-
People want to listen to a lot of music and do whatever they want with it. They don't want DRM, they don't want subscriptions. They don't want a player that only can do this but can't do that and you only have one copy. They don't want that. You know? I don't want that.
-
What is exciting is taking back the excitement of being able to debut something to an audience in exactly the way you want to.
-
Being a rock & roll star has become as legitimate a career option as being an astronaut or a policeman or a fireman.
-
Musicians have always adopted Macs.
-
I can still make a living with touring. And maybe you buy a t-shirt. And I would rather 10 million people get my record and listen to it for free than 500,000 that I coerced to pay $15 for it, you know?
-
I think the whole aspect of social networking is vulgar and repulsive in a lot of ways. But I also see why it's appealing - I've had that little high you get from posting stuff online. But then you think, 'Did I need to say that?' I've explored that enough to know to stay kind of quiet these days.