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We can guarantee you that 15 to 30 seconds of any of our songs are going to be good. The rest, we can't guarantee.
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Coffee in Italy and some places in Europe is great, but there's just something about Australian coffee.
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It's hard to talk about childhood trauma. It's hard to talk about depression. It's hard to talk about anxiety. And we thought - I wonder if we just open up our subconscious and the things that we think about and hide from people every day and just let them come out in some of these lyrics.
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I need a little criticism while I make a record so that I kind of feel like: okay, I know that I'm doing the best that I can do because someone is actually here challenging it.
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Don't let anyone make you feel like you're not good enough, smart enough or cool enough. Do your own thing.
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The only time I only really made out with a girl in high school, my mom caught me.
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I'm a really easy guy to read.
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There's an interesting thing I've seen with Australian bands: when you put them side-by-side with bands from other parts of the world, they're just more musical. They're just better.
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My muse appears to me in a different form every time a new idea for a song is created. Sometimes I'm inspired by music or film, but more typically it's my surroundings that truly inspire me. Family, work, school, the city I live in, the books I read... All of these things inspire the creation of a song.
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Often people think they know what they want, but what they really want is something that's genuine. So they'll be saying, "Do another one like that," but you liked that one because it's real. So as long as I keep it real and I do something that's real to me, you're going to feel it in the same way.
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A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
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All of our lyrics are really personal, and we get a lot of personal letters.
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You find, as the years go on and you have some success, people kind of start to say yes when they should say no.
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The one thing that nobody else in the world can touch is the coffee in Australia.
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The whole time you're bouncing ideas off each other, you continue to try and push the songs as far as you can take them and make them the best that they can be.
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I always jump at the chance to mentor kids when it comes to music.
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We've all had a million day jobs. We got by fine then.
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We've made a lot of party music; we're definitely not Thom Yorke. But there's also depth to our records; we get emotional.
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We started our band in a garage when we were 15.
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We have known each other for a long time, and I've always known the real Paris. I always knew she was like wife material or serious girlfriend material.
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I played and recorded this song using my fingers instead of a pick. In the verses I'm basically playing a guitar chord and plucking the strings with my thumb, pointer and middle fingers.
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I wouldn't be surprised if this album cycle for 'Cardiology' is the funnest couple years we ever see. We've made all of our mistakes; we've kind of learned. Now we know what to avoid, we know what to embrace, we know how to take a deep breath and enjoy the moment.
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I've always been obsessed with girls.
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When you try to teach somebody else, you have to be able to articulate your thoughts, and that just makes you understand so much more what you're doing.