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It's hard to talk about childhood trauma. It's hard to talk about depression. It's hard to talk about anxiety. And we thought - I wonder if we just open up our subconscious and the things that we think about and hide from people every day and just let them come out in some of these lyrics.
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There's definitely a lot of moments in my life now where I go, 'Wow, I get paid for this.' I've had worse jobs.
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A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
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You don't know how a song is gonna do; you don't know where it's gonna live. You know if it feels real, if it feels authentic.
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Coffee in Italy and some places in Europe is great, but there's just something about Australian coffee.
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There's an interesting thing I've seen with Australian bands: when you put them side-by-side with bands from other parts of the world, they're just more musical. They're just better.
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I think about people whose lives maybe hadn't turned out as well as me and Joel's lives, and I just think it's just pure luck and the grace of God. I also think we were lucky to have each other as brothers.
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My muse appears to me in a different form every time a new idea for a song is created. Sometimes I'm inspired by music or film, but more typically it's my surroundings that truly inspire me. Family, work, school, the city I live in, the books I read... All of these things inspire the creation of a song.
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The only time I only really made out with a girl in high school, my mom caught me.
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The one thing that nobody else in the world can touch is the coffee in Australia.
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The whole time you're bouncing ideas off each other, you continue to try and push the songs as far as you can take them and make them the best that they can be.
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We started our band in a garage when we were 15.
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I'm a really easy guy to read.
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I always jump at the chance to mentor kids when it comes to music.
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Often people think they know what they want, but what they really want is something that's genuine. So they'll be saying, "Do another one like that," but you liked that one because it's real. So as long as I keep it real and I do something that's real to me, you're going to feel it in the same way.
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You find, as the years go on and you have some success, people kind of start to say yes when they should say no.
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We've made a lot of party music; we're definitely not Thom Yorke. But there's also depth to our records; we get emotional.
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We have known each other for a long time, and I've always known the real Paris. I always knew she was like wife material or serious girlfriend material.
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All of our lyrics are really personal, and we get a lot of personal letters.
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We've all had a million day jobs. We got by fine then.
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I wouldn't be surprised if this album cycle for 'Cardiology' is the funnest couple years we ever see. We've made all of our mistakes; we've kind of learned. Now we know what to avoid, we know what to embrace, we know how to take a deep breath and enjoy the moment.
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Both of us are lucky because we married women who are amazing cooks.
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I've always been obsessed with girls.
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I played and recorded this song using my fingers instead of a pick. In the verses I'm basically playing a guitar chord and plucking the strings with my thumb, pointer and middle fingers.