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All the best songs are, I think, the easiest write because they just come out.
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It's always a bit much, being in a band with your brother. We fight all the time, but it's kind of comical.
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My kids are so cute when they pray.
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I didn't get lessons of any kind I slept through school.
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A lot of time, I have to be the person who just goes, 'Hey dude, don't even trip. Don't worry about it.'
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Good Charlotte fit in a lot of different genres - it's one of the coolest things our band has been able to do.
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Every girl I've ever dated I have respect for, and I always try to leave them in good terms.
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I'm just a really normal, sensitive kind of go-about-my business everyday kinda guy. People see the tattoos, and they either read things or they see things and they don't really know that I'm just this guy that gets up and makes coffee in the morning and hangs out with his friends and walks his dog and reads his Bible and goes about his day.
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People can say or think whatever they want... so in my reality, it's kind of irrelevant. I'm always the kind of person that does the right thing and keeps my side of the street clean.
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The best thing is being really close. The worst thing is being really close.
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What we're most known for is the catchy choruses and the big hooks.
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There are some people i'd take a bullet for, and some people i'd like to put a bullet in.
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I think that our goal in Good Charlotte is just to be Good Charlotte, and whatever happens, whatever that means, we don't even know, and make music and whatever.
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Benji usually tries to match his hair with his underwear, and you know how he had the pink hair for a while well we caught him in a pink thong one day!
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One of the most harmful things in the music industry is 'record-by-committee,' where 10 people from the label gather around, and they make you write a 100 songs and decide which one's a hit. That takes the inspiration out of it.
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In music industry they always want you to write something like the one that was popular. And that's something you kind of have to just - sometimes you just say yes to people, like, "Yeah, yeah, yeah, sure," and then you just write the one you want to write.
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I want to feel lucky every night when I go onstage, and not feel like, 'Oh, great, here we go again.
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Good Charlotte, for us, comes from a place of youth for us, back when we were struggling and fighting for every inch, just trying to get by.
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Hopefully, the people that would look at a Good Charlotte record and dismiss it for maybe what they think is a certain kind of content, if they do discover something meaningful, then it's a nice surprise. I like those kinds of contradictions.
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Good Charlotte became more than a band and more than the songs: it became something that the fans owned.
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I've flown across America, I've scaled fences, I've stood under windows and gone out of my way hundreds of times. I'm a hopeless romantic. There's no hope for me.
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Anyone who's followed our band through the years has heard about the teenage angst.
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Every time we go to New Zealand, it gets harder to leave. Everyone's always treated us like we're at home.
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The guy who runs Big Day Out doesn't like us for some reason; I don't even know why. We do all the other festivals, and we enquired about it. Who knows, maybe he'll eventually crack, but maybe not. We're just going to keep knocking on his door late at night saying, 'Come on, dude!'