My Chemical Romance Quotes
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I think the fun thing about doing a project under your own name is that literally anything could be a follow up, it doesn't necessarily need to be a record, it could be film related, it could be book related, it could be anything.
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I think there needs to be people that are doing something different in music. There's a need for that as much as there's a need for a scene.
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Your connection to other people keeps you human, and that connection, staying human - that's what you have against control. It's like if somebody is being controlled by their job, the connection is to their family. And if they stay connected to those people, the job will never really have control over them.
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I'd enjoy it if a guy grabbed my ass. I guess it all depends on how he grabbed it, too.
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We're all gonna land, we don't have rocket packs that last forever. But these things that we love, these things that give us purpose, these moments along the way are our parachutes. So I feel very fortunate to have all of these. Art and my family are pretty much my biggest parachutes.
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When I did The Umbrella Academy, I studied Gabriel Bá's art. I said, "Oh, this is what he likes to do here. Maybe I can push him to do a little more of this." You can play to those strengths. It's a different scenario with each artist.
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I have so many books to write now. So I'll write from home. Sometimes I'm writing in the office too, in my cubicle. It looks like a mess. It doesn't look like anybody uses the spot.
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Can I be your only hope? Because your the only hope for me.
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Playing in front of millions of people erases everything I hate about myself. Nothing can hurt me.
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I think normally people think that they're afraid to die but I actually think people are more afraid to live. People are more afraid to make the choices that they want because they're very hard decisions to make in order to be happy. I think a lot of people are really afraid of that. It's easy to be in a band because you have a lot of things to hide behind so that's really not always living...that doesn't always constitute as living life the way you want. But at times you have to make decisions that sometimes hurt others in order to live.
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I think everybody's book is about somebody's daughter, in a lot of ways. I dig that.
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Like, you should never want to hurt yourself. You should love yourself.
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No matter how much you try and make your surroundings suitable for creativity, if the enviornment inside of you isn't creatively healthy then you won't be able to make the art you want. Being in tune with yourself and your inner truth, being at peace in there, is the best way to nurture your creativity. Then you can even make a bad enviornment a good one.
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Two weeks after having Bandit I was in a recording studio. I hadnt yet really fully understood what being a dad was and, man, I was exhausted. But she is 17 months now. Shes running, shes been running for a long time. Shes inspired me a great deal for the record. She even goes Wow Daddy! when I play to her.
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Sometimes art is just about getting a reaction, that's really the end-all be-all.
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You can only hold on to something for so long and enjoy it just by yourself, what's the point? It's very selfish. For better or for worse, I feel like the point of all of this is to make someone feel something.
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Sometimes it's a little overwhelming to take on other people's stories, that's just the kind of person I am, maybe I'm empathetic to a fault, I internalize a lot, so it can be a bit hard sometimes, but I understand that that's what they need, and if I can do it, then I'll do it, but if I can't, then I'll try to take a knee.
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I just wanna kind of give the world something special.
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I'm a fan of records you get and you listen to them from beginning to finish - records where everything is there for a purpose. There was never any filler on those records - it was all well planned out.
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Very rarely I create things and feel like I don't want to recreate them in a live setting. It's a completely different world, but at the same time that's where I've always come from. Enjoying that give-and-take from a live audience, there's a large part of me that's looking forward to it, and creating that relationship again.
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My dad was very influential with the music he exposed me to. He was really into blues and folk, so he'd play me guys like Muddy Waters and T-Bone Walker and Richie Havens - a lot of very emotional players.
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I'm kind of a feel player. I'll stretch out before a show a bit and do some playing, but that's about it. I'm not one of these 10-hour-a-day playing guys.
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It is not a band. It is an idea.
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I start my process hand written, and then I dump it in. It's like you're getting a second draft 'cause when I put it in the computer, I fix it and change stuff. That's my process. I picked that up from speaking to Neil Gaiman and Joe Hill. I was messing around with the idea of starting to write more, writing a book and doing things like this, and I reached out for advice. They were like, "Oh, we hand write, and then we dump it all in." I was like, "Great! There's no more blank pages."