My Chemical Romance Quotes
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For Cave Carson, I have a co-writer, so that takes off a lot of the pressure.
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We're just as screwed up as you.
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When I did The Umbrella Academy, I studied Gabriel Bá's art. I said, "Oh, this is what he likes to do here. Maybe I can push him to do a little more of this." You can play to those strengths. It's a different scenario with each artist.
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Playing in front of millions of people erases everything I hate about myself. Nothing can hurt me.
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No matter how much you try and make your surroundings suitable for creativity, if the enviornment inside of you isn't creatively healthy then you won't be able to make the art you want. Being in tune with yourself and your inner truth, being at peace in there, is the best way to nurture your creativity. Then you can even make a bad enviornment a good one.
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I have so many books to write now. So I'll write from home. Sometimes I'm writing in the office too, in my cubicle. It looks like a mess. It doesn't look like anybody uses the spot.
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Sometimes art is just about getting a reaction, that's really the end-all be-all.
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I think everybody's book is about somebody's daughter, in a lot of ways. I dig that.
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I think there needs to be people that are doing something different in music. There's a need for that as much as there's a need for a scene.
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My dad was very influential with the music he exposed me to. He was really into blues and folk, so he'd play me guys like Muddy Waters and T-Bone Walker and Richie Havens - a lot of very emotional players.
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I am in the jungle and I am too fast for you. You have teeth and stripes and things that tear. But I am much too fast… You want my flesh, but you don’t know where the jungle is… Only I know where the jungle is… Only I know… I am a gazelle. I am a gazelle and the jungle is my home.
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I'd enjoy it if a guy grabbed my ass. I guess it all depends on how he grabbed it, too.
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Can I be your only hope? Because your the only hope for me.
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Like, you should never want to hurt yourself. You should love yourself.
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I think normally people think that they're afraid to die but I actually think people are more afraid to live. People are more afraid to make the choices that they want because they're very hard decisions to make in order to be happy. I think a lot of people are really afraid of that. It's easy to be in a band because you have a lot of things to hide behind so that's really not always living...that doesn't always constitute as living life the way you want. But at times you have to make decisions that sometimes hurt others in order to live.
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Sometimes it's a little overwhelming to take on other people's stories, that's just the kind of person I am, maybe I'm empathetic to a fault, I internalize a lot, so it can be a bit hard sometimes, but I understand that that's what they need, and if I can do it, then I'll do it, but if I can't, then I'll try to take a knee.
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I start my process hand written, and then I dump it in. It's like you're getting a second draft 'cause when I put it in the computer, I fix it and change stuff. That's my process. I picked that up from speaking to Neil Gaiman and Joe Hill. I was messing around with the idea of starting to write more, writing a book and doing things like this, and I reached out for advice. They were like, "Oh, we hand write, and then we dump it all in." I was like, "Great! There's no more blank pages."
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I'm a fan of records you get and you listen to them from beginning to finish - records where everything is there for a purpose. There was never any filler on those records - it was all well planned out.
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Two weeks after having Bandit I was in a recording studio. I hadnt yet really fully understood what being a dad was and, man, I was exhausted. But she is 17 months now. Shes running, shes been running for a long time. Shes inspired me a great deal for the record. She even goes Wow Daddy! when I play to her.
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I'm kind of a feel player. I'll stretch out before a show a bit and do some playing, but that's about it. I'm not one of these 10-hour-a-day playing guys.
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You can only hold on to something for so long and enjoy it just by yourself, what's the point? It's very selfish. For better or for worse, I feel like the point of all of this is to make someone feel something.
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I just wanna kind of give the world something special.
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Very rarely I create things and feel like I don't want to recreate them in a live setting. It's a completely different world, but at the same time that's where I've always come from. Enjoying that give-and-take from a live audience, there's a large part of me that's looking forward to it, and creating that relationship again.
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I think that a lot of journalists don't really listen to music before they review it.