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The way I write is that, every time I reintroduced a character, I'd have to face some kind of inner demon.
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No matter how much you try and make your surroundings suitable for creativity, if the enviornment inside of you isn't creatively healthy then you won't be able to make the art you want. Being in tune with yourself and your inner truth, being at peace in there, is the best way to nurture your creativity. Then you can even make a bad enviornment a good one.
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You should love yourself.
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When I did The Umbrella Academy, I studied Gabriel Bá's art. I said, "Oh, this is what he likes to do here. Maybe I can push him to do a little more of this." You can play to those strengths. It's a different scenario with each artist.
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I think the fun thing about doing a project under your own name is that literally anything could be a follow up, it doesn't necessarily need to be a record, it could be film related, it could be book related, it could be anything.
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The only thing I learnt in high school is that people are very violent and territorial.
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I had a couple of really cool friends when I was a kid, and we'd find cool music and movies and show them to each other. My friend Dennis had a copy of 'A Clockwork Orange' and he'd already seen it once, and he was like, 'We need to watch this.' I was sleeping over his house - and I think we were literally 15 - and we watched it.
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I just wanna kind of give the world something special.
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Every time somebody ever told you that you weren't gonna amount to anything, you know, that's your time to shine, you know? You can show everybody and prove to yourself what you're doing is real and that it counts and that it makes a difference.
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Ray Toro is a very eccentric, crazy genius type guy. I think he's a genius. He just got this thing at the VMA. The way he played, it makes you go 'Jesus!' He's really sweet, really kind of lovable. He's like a cartoon character.
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The clearest actions come from truth, not obligation.