My Chemical Romance Quotes
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As a little kid, I was very shy.
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I've always been in bands writing songs with friends in order to play shows or record a future record.
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There were actually times where I thought, 'Do people even remember us? Are people gonna be interested in hearing what we put out next? 'And, you know, there were times I felt like, 'Are there going to be people out there waiting for this record?'. So we kind of live in a bubble, in a sense. We're very closed off to that whole world of thinking about those kinds of things.
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There was a moment in my life when I really wanted to kill myself. And there was one other moment when I was close to that. But even in my most jaded times, I had some hope.
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The teachers thought there was something wrong with me because I wouldn’t talk to other kids. I was almost playing mind games with them.
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Most times with vanity projects, publishers don't believe in the work; they just believe in the name.
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The song is celebrating someone's life. When someone passes, you should focus on all the good that that person has done, and try not to really think about the fact that they're not gonna be on this earth any longer, that they had an effect on you and your lives, and that's what you should take out.
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All of my favourite albums have this incredible amount of conceptual glue to them, even if they are not telling a story.
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I was Pac-Man. It was the worst costume ever. You would expect a big round suit, but it was just a mask and a smock with a maze on it.
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The future’s too bright to dwell on the past. Life moves fast, run faster.
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Thinking visually is my starting point, and then the writing happens.
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I went to art school, and that's how I got the internship, and then I started a band. But I always missed comics, I always wanted to do them.
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I just wanted to be happy in what I did and I wasn’t for a while and I think everyone finds that thing eventually whether it’s way down the road or.. in some people happens earlier in life and it sounds really weird and it sounds like one of those “oh” moments,when I got to play in this band and did that it’s kinda when I…that time I was happy with what I was doing
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I made songs really for myself - I didn't ever expect to put it out there and make this a record for mass consumption, this was really just a way for me to get out of my own situation and reclaim that part of myself - so when making the songs, I wanted a testament to what I'd gone through, I wanted a snapshot of those moments.
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I would rather be trampled by thousands of children than touch a spider.
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Cecil Castellucci is writing Shade, who is the perfect writer for it. I love her young adult stuff, and it's pretty hardcore and visceral, so I knew she was going to bring that to the book.
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I feel like the personal me and the artistic me are separate, but connected. It's almost like a Jekyll and Hyde thing. As much as you try to keep them apart, they end up together. I'm very much aware that when I'm miserable on the creative side - if I can't make things work a certain way - it really detracts from being the father I want to be. So in order to ultimately be a good father and the man I want to be I know I need to keep my creative side in check, or at least a little bit happy. It's weird how it's intertwined that way.
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The Devil got landed with a shitty job, he has to deal with assholes everyday, he's probably bored as hell.
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The thing about 'Watchmen' that people should know is that when it came out there was absolutely nothing like it. Up until then, comics were about the same thing: a guy in tights fighting another guy in tights and saving the girl - that was it.
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No one is born with hate in their heart. Hate is something that has been taught. It is not an innate survival skill that we need; It is a form of stupidity that penetrates our minds and will eventually destroy us.
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I was this weird loner kid who got drunk by himself all the time.
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A lot of the other things in my life like making music, you know that's a very collaborative thing so I work on comics because it's not something that's a solo activity.
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If you look in the mirror and don't like what you see, you can find out first hand what it's like to be me.
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I'm a visual thinker, so I think of everything visually, first. A lot of what an issue will become for me starts with me thinking, "What's a great cover?," or "What's the splash image?," or "What is the title of the issue? How do I see the text?" I think about all of that stuff, and then the story comes out of that imagery.