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When we started out, there was so much cash involved that it attracted an element you'd rather not do business with.
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Of course, we didn't survive to play all the way through the '90s, so I can say that - as I said, everybody in the band was aware of this, and we trying to figure out ways to make it different.
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I thought being a cowboy would be a terribly romantic thing to do. But it wasn't. I shoveled a lot of stalls.
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We wanted to establish a new fan base over here. And second, we wanted to challenge ourselves. We wanted to bring what is ostensibly new music to fresh ears and see what lights them up.
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I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.
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You do not know our culture, our ethics, or the unwritten codes that already provide our society more order than could be obtained by any of your impositions.
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There are a lot of kids out there copying and distributing movies - not because they care about seeing the movies or sharing them with their friends, but because they want to stick it to the movie business.
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That Cornell show that - that people talk about, I can't remember that specifically. It didn't stand out for me on that tour. The whole tour was like that for me.
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The 'Total Information Awareness' project is truly diabolical - mostly because of the legal changes which have made it possible in the first place. As a consequence of the Patriot Act, government now has access to all sorts of private and commercial databases that were previously off limits.
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We'd just signed with Arista, the record company. Arista was freaking about the phenomenon of tapers showing up at our shows. They were insisting that we put an end to this. And we just didn't want to do that.
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The alternate media are becoming important and viable alternatives to playing live. Records, videos, that kind of thing. They're going to start to count for something. Because there's only a limited amount of us-time available to us.
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Our lives are interesting.
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But hey, when you live in Watts, you need a little smack to get by, you know what I mean? You need something soft and comfortable in your life, 'cause you're not going to get it from what's around you. And society isn't going to give it to you.
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I find inspiration and rhythm in everything. Really I do. And I find inspiration in the really quiet moments.
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At first I missed it, but it was the amazing energy thing that happened during shows, when a lot of people were like Yay Yay Yeah! I missed that for a while. But I don't miss the regular and the business side of that whole thing.
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I have one custom guitar which I play almost exclusively. I have others - sometimes you want a little texture, kind of a different sound or something.
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I don't think that the movie industry is any more ready than any other part of the information industries to adapt itself to the information age. But it's going to go there one way or the other.
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I went to prep school for one year in Arizona. It was called Orme.
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I'm shopping around for something to do that no one will like.
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So, in the course of events, I had an opportunity to come in contact with Colin Matthews, through the Rex Foundation sponsoring recordings of various music that was being recorded over there.
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There was always so much encouragement, to just really take it and run with it, from Deadheads.
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I am just a guy who plays drums.
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I listen to anything anyone gives me. I always go back to a few basic favorites. I can always listen to Django Reinhardt and hear something I haven't heard before. I like to listen to Art Tatum and Coltrane and Charlie Parker. Those are guys who never seem to run out of ideas.
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My kids seem to be more mature and older than I am now somehow. They've gotten ahead of me somehow. But they're very patient with me.