Grateful Dead Quotes
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And the live show is still our main thing.
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The pervasive attitude is that it's crazy to invite more danger into your life.
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And that format was - we'd been using that format, I guess, since the late '70s, and it was starting to get very predictable. In other words, certain songs would surface in the same points in the set every so often; it was like rotation.
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Be as in touch with your dreams as you can be.
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We'd just signed with Arista, the record company. Arista was freaking about the phenomenon of tapers showing up at our shows. They were insisting that we put an end to this. And we just didn't want to do that.
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There are a lot of kids out there copying and distributing movies - not because they care about seeing the movies or sharing them with their friends, but because they want to stick it to the movie business.
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That Cornell show that - that people talk about, I can't remember that specifically. It didn't stand out for me on that tour. The whole tour was like that for me.
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You do not know our culture, our ethics, or the unwritten codes that already provide our society more order than could be obtained by any of your impositions.
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The 'Total Information Awareness' project is truly diabolical - mostly because of the legal changes which have made it possible in the first place. As a consequence of the Patriot Act, government now has access to all sorts of private and commercial databases that were previously off limits.
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We wanted to establish a new fan base over here. And second, we wanted to challenge ourselves. We wanted to bring what is ostensibly new music to fresh ears and see what lights them up.
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Our lives are interesting.
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I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.
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The alternate media are becoming important and viable alternatives to playing live. Records, videos, that kind of thing. They're going to start to count for something. Because there's only a limited amount of us-time available to us.
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So, in the course of events, I had an opportunity to come in contact with Colin Matthews, through the Rex Foundation sponsoring recordings of various music that was being recorded over there.
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At first I missed it, but it was the amazing energy thing that happened during shows, when a lot of people were like Yay Yay Yeah! I missed that for a while. But I don't miss the regular and the business side of that whole thing.
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Yeah, I think we have to. If we want our shows to be - if we want the quality of the shows to be good, and we want the energy to be high, and if we want to be in good enough physical shape to do them, and not exhaust ourselves on the road, and not get stale, we have to pace.
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I don't think that the movie industry is any more ready than any other part of the information industries to adapt itself to the information age. But it's going to go there one way or the other.
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I don't know why, it's the same reason why you like some music and you don't like others. There's something about it that you like. Ultimately I don't find it's in my best interests to try and analyze it, since it's fundamentally emotional.
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We're not uncomfortable with it, and we've already been through enough of the music business where I'm not really worried that commercial success is going to in some way - we're already past saving, you know what I mean? It's too late for us.
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I find inspiration and rhythm in everything. Really I do. And I find inspiration in the really quiet moments.
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I am just a guy who plays drums.
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I went to prep school for one year in Arizona. It was called Orme.
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Whatever I'm going to be doing, a lot of it will be furthering this heritage, this legacy.
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I'm shopping around for something to do that no one will like.