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And there was a movement afoot to take another year off, and if we had been able to do that, and rethink everything, I think when we came back it would have been very different.
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To sing a simple round is truly an enlightening experience.
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And the input that we always got from Deadheads, at the moment of making the music, was always a factor.
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For me, the lame part of the Sixties was the political part, the social part. The real part was the spiritual part.
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What we do is as American as lynch mobs. America has always been a complex place.
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I'm still good for hitting the road. I'll be doing that a fair bit.
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In St. Louis, some people were hurt seriously when some fans got on top of a roof that was where other fans were underneath it, at a park somewhere, and it collapsed.
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Our strong suit is what we do, and our audience.
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Playing music is just one of the best things. I can't retire.
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So, in the course of events, I had an opportunity to come in contact with Colin Matthews, through the Rex Foundation sponsoring recordings of various music that was being recorded over there.
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I was gifted with a life that was full of adventure. I've always believed, if you're gifted, that it's incumbent not to think about giving something back.
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In the Woodstock movie, you see Justin, my son, who is now a filmmaker, being carried off by my wife at the time to the helicopter. He's just this little bundle of joy in her arms. And it's 1969.
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Not that there weren't great shows, and not that there wasn't plenty of fine music played. It's just that the consistency and the height of where we could take it, with the help of the audience, was less, I felt, in the '90s.
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If you want to promote anything, all the work that you put into it is basically promoting the idea of it so that people will go for it. And if they don't go for it, you can't institute it. You can't do it.
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America is still mostly xenophobic and racist. That's the nature of America, I think.
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I'm really thankful and complimented when people come to me and say, thank you for the great times for all these years. But I don't think about it as being a leader.
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In the very beginning we were a real tight family but now it's different. You know, toward the end, we had separate limos, stuff like that. It's hard to get six giant egos in the same place.
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Maybe because I'm a Taurus, I like to watch plants grow.
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Royalties are not how most writers or musicians make their living. Musicians by and large make a living with a relationship with an audience that is economically harnessed through performance and ticket sales.
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I've gone through guys who want to lay on their backs and play like they're full of themselves. You know, I don't care about posing. I mean look at me, do I care about posing?
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I really like to go for the essence of things - the most beautiful parts of things - of human beings or of music. If there are things in there that are getting in the way and complicating it, it's just not good for me.
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So what it boils down to, in my humble opinion, is that we need to support the arts in schools, and at every other level in the education of children.
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I didn't play after the Grateful Dead stopped playing. I didn't touch anything for three or four months, and I just got pretty crazy.
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Especially in the realm of bringing an opportunity to do something creative to people, as I said, who wouldn't ordinarily have that opportunity. I think that's very important.