Work Quotes
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If I was a boy, nobody would care that I worked out six, seven hours a day when I was 9 years old, no? Why were people always saying 'poor little girl?' I liked to work out and always did more than I was asked to.
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I believe in hard work, not luck factor. The best efforts will reap the best fruits. Nobody can take all the credit. We don't even talk about the efforts of the director, the writers, other technicians, etc. They all together take a film to another level.
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Dancers can get to see almost everything now. When I used to go into companies to make a piece, the dancers had hardly ever seen my work. Now they can watch it on YouTube. It means they're much faster at picking up material.
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But I think you have to - whatever the environment looks like, it does enter into people's art work one way or another; it's very remote or it isn't. It's remote in my work but it has to have a certain degree of ordinariness.
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I was terrified of being on stage, and I had to work very hard at a craft to get past that.
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I think that there are always goals for me to try to achieve, and I'm going to work toward those goals.
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There are few forces for good as extensive and important as the United Nations. Being able to work with them and other global aid organisations for World Humanitarian Day is a humbling and extraordinary opportunity.
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It may be that we have become so feckless as a people that we no longer care how things do work, but only what kind of quick, easy outer impression they give. If so, there is little hope for our cities or probably for much else in our society. But I do not think this is so.
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I think musicians and artists are the most philanthropic people I know. Their charity record of the music business would hold up to the work of anybody.
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For me, I'm always looking for opportunities to work with people who are better than me, who are more experienced than me, people from whom I can learn. And who could I learn more from than someone with an unprecedented movie star career that has spanned over thirty years whose name is Tom Cruise?
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Increasingly, the work I'm doing is in service to an idea rather than just to see what something looks like photographed. I'm trying to explore how I feel about something through photography.
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I work full-time in a used bookstore. I get up. I drink a cup of coffee. I think, The last thing I want to do is write. Then I go to the computer and write.
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I'm always surprised by things that happen to my work.
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When you work on a movie, you just have no idea how it's going to come out; you hope it's good, but you don't really know, and you don't see it until about six or nine months afterward, and I saw it and was pretty pleased.
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No man will work for your interests unless they are his.
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I could not see myself going back into the studio without Tommy Dowd, our beloved producer who passed away in 2002. Then in 2009, Michael Lehman, my manager, really pushed me to meet with T Bone Burnett. I ended up meeting with T Bone in Memphis, and we hit it off right away; I knew he was a guy I could work with.
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Whenever I work on a part, I look at the world through the filter of the character and I pick things they might use through my observations of real life.
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You know, sometimes if you work – if you do a lot of takes and you work long hours, for me, at least, there is a delirium that starts kicking in on the fifteenth hour, and that can help. Below the just thirteenth hour is where I have a concern, because everybody's so tired.
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I need to feel like the work I'm doing is not necessarily important, but meaningful, at least to me, because otherwise it just becomes a day job. It just becomes factory work and I get really frustrated.
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There is a need for a vision that's compelling and uplifting, especially in a time when people are worried. At the same time, in this era, hard work and lofty rhetoric are not going to compel you to the presidency.
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Well, I don't really concern myself too much with what other people make of my work.
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For me to have an opportunity to work with someone like that, it's a fantastic learning experience.
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Some of the pictures I work on a long time and they look as if I've knocked them out, you know, and there are other pictures that come off right away. The immediacy can be accomplished in a picture that's been worked on for a long time just as well as if it's been done rapidly, you see. But I don't find that any of these things prove anything really.
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After 'Rent,' I tried to make a record, and it didn't work out, and it was the Broadway community that welcomed me back. It's where I feel the most understood, most at home.
