Work Quotes
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Ideology and communication more often than not run into each other rather than complement each other. Principle and communication work together. Ideology and communication often work apart.
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'One Tree Hill' was my first television experience, so naturally I was nervous initially. There is no rehearsal, you get your script a few days ahead, and you work. I was also the youngest actor, 13, on set at that time, but it was amazing to be able to 'learn the ropes' with such a supportive group of people.
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There are orphans that can be cared for; but this some will not venture to undertake, for it brings them work more than they care to do, leaving them but little time to please themselves.
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Because when you keep on diminishing art and not respecting the craft and smacking people in their face after they deliver monumental feats of music, you're disrespectful to inspiration, and we as musicians have to inspire people who go to work every day, and they listen to that Beyonce album and they feel like it takes them to another place.
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My father, whose work I adore... was down working on little things of grass and dead birds. Well, that didn't interest me. As an 8-year-old kid, I wanted knights in armor and so forth.
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What you saw was the people of New York having a debate, talking through these issues. It was contentious. It was emotional. But ultimately, they made a decision to recognize civil marriage. And I think that's exactly how things should work.
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What we have at the moment isn't as the old liturgies used to say, 'the sure and certain hope of the resurrection of the dead,' but a vague and fuzzy optimism that somehow things may work out in the end.
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Find something in life that you love doing. If you make a lot of money, that's a bonus, and if you don't, you still won't hate going to work.
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I think the larger productions in India are very methodical and pretty much on the ball in terms of work. When I say work, I mean pre-production and the homework that's required.
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Be carefree yet careful: While you should work on overcoming unnecessary worrying, have a healthy fear of danger and sensibly guard yourself from harm. Overcoming worry does not mean putting yourself in danger, but in having a calm attitude in dealing with difficulties and accepting what cannot be changed.
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I've got a green card, so I can work there any time, but I hate reading about actors going to America, because it's not like that anymore.
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Every homeless puppy and kitten was born to parents who weren't spayed or neutered. I'm proud to support PETA's work to prevent animal homelessness.
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Our responsibility is to protect people and help them into work.
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I think my work has become more interesting, well to me anyway.
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I work out a lot, but it changes day to day. I always start out with some cardio - either a jog, a bike ride, or footwork drills designed specifically for tennis movement. Then I do weights, but I switch the days: one day it's upper body, the next day it's lower body. Then I do stomach and back pretty much every day.
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We still have to keep betting on markets like America that are full of opportunities to grow, even if we have to work our heads off to do it.
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There must be a lot of shy actor in puppeteering. His work is the puppeteer's statement. It's his outlet. If I had to face the audience myself, as Jim Henson, I'm sure I'd be just a bit shy. But when it's your puppets that face the audience, it's different. That I can do very easily.
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McEnroe has got to sit down and work out where he stands.
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The rules I go by are: Always keep your villains bad, and keep the plot grounded and real. If you keep those stakes, the comedy will bounce off that and work.
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I studied the Bible and philosophy in college, and I think in a certain sense that's the kind of stuff that still makes my brain work.
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I'm not a good listener some times. I'm too much of a control freak. I'm learning to be better. I was so caught up in just getting the job done that I would miss out on the human aspect of this. There was a connection missing.
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I think it's difficult to be honest about certain aspects of my work without acknowledging that I have experienced or felt or questioned certain of the themes in the books.
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I have had the opportunity to work with Andy Lincoln a lot. He's got a remarkable process. He just has these ways of sinking into the scene and into character that are very physical. He'll make these sounds and these grunts and these moans... I don't know what it is that he's channeling! It lets you know it's okay for you to do that, too.
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I have always wanted to work with Steven R. Monroe, and when I read his script, I was blown away! I think 'Complacent' hits a nerve that people try so desperately to avoid, which is what I love about Steven's work.
