Why Quotes
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I'm not a big fan of cold weather; that's why I moved to Vegas!
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Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that.
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A lot of my music is just self-observation. Like telling you, "Oh man. What did I just do? How much did I just pay for this chain? Why did I do that? Wait a minute." Let me talk about that. Or like, the temptation. Let me talk about that. Let me observe myself.
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There's a reason why Smellovision has never really taken off. And I think it's a good thing.
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That's why I like fast film. It gives you more freedom to light more naturally.
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Sometimes I think, 'Why should I care about doing well in New Zealand?'
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Q: Who caused the inflation? A: The Chancellor of the Exchequer. Q: How did he cause it? A: By putting a flood of new money into circulation. Q: Why did he do that? A: To prevent the exchange rate of the pound rising last year. Q: Why did he want to stop it rising? A: To keep level with the Deutschmark. Q: What for? A: To make it easier to join the EMS.
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I just think it's silly to be stingy with compliments. If you see someone and they strike you as beautiful in any way, why not let them know?
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I don't remember being a child, and that's why I think I'm so child-like now in my unending curiosity and approach to life.
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Why think of liberation at some future time? Liberation is in the little things, here and now.
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We have dresses that I actually think look better if you have more of a bust or more of a hip... or whatever it is. That's why, in a collection, it should be as diverse as you can be. I think there should be options for a lot of different types of bodies and women.
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I don't know why I paint what I paint. I think it comes out - it's kind of my subconscious or something.
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People always accuse me of making these dark, depressing movies. 'Why do you have to pick up on real issues? People are so exhausted and miserable.'
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I like films that deal with some of those questions that you can never answer: 'Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong?' Those universal questions, I enjoy.
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We shouldn't still be asking, 'Have you got children? Why've you not got children? Ooh, you must have children!' Bog off, d'you know what I mean?
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Samia: I'm all the trouble you need. Do you know why I invited you here?Ginger: For the Brussels sprouts tartare?Samia: For the long, discreet tablecloths.
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My agent asked if I fancied Robin Hood and I thought: 'Yeah, why not?' I hadn't watched it, to be honest, but I'd seen bits and knew it was really popular Saturday family viewing with heaps of action. I thought it would be great fun. I was up for a good old play-fighting and the scripts were terrifically exciting.
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With TV, you're in people's houses every night. And you have so much time to tell stories. I don't know why I didn't do it before.
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Now you get to watch her leave out the window, Guess that's why they call it 'window pane'.
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About every other week, I sit down with all of our new Zynga hires and I talk to them for about 90 minutes, have an open Q&A. There is no formal presentation. I talk about our values, where they came from and why they are so important, and I ask them to challenge those values.
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I have a Chevy Impala that I roll around in and a '89 Jeep Wrangler, which is the first car I ever bought. It has 180,000 miles on it, and that is my daily whip. I take that everywhere. Don't forget where you came from, that's why I'll never get rid of that Jeep.
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Just like all these guys feel comfortable here, I want to feel comfortable, too. Why do I always have to have my back against the wall and have to prove something to everybody? You get tired of it. After a while, it becomes -- .
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I feel more Irish than English. I feel freer than British, more visceral, with a love of language. Shot through with fire in some way. That's why I resist being appropriated as the current repository of Shakespeare on the planet. That would mean I'm part of the English cultural elite, and I am utterly ill-fitted to be.
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There is always a reason why, and I need to tell the stories.
