Drew Goddard Quotes
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If I had all the filmmakers that traumatized me when I was a little kid in this room, all I would say is, 'Thank you,' because they've made me who I am. As much as I say 'trauma,' it all comes from a place of love. The fact that I am feeling emotions at all based on a work is a wonderful thing, so I'm happy to be a part of that discussion.
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Truth is, I don't like movies that are only good once; I tend to dismiss them. I like movies that get better the more you watch them.
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I love TV. I've been lucky that I get to do both, and both have things I love about them, features and TV. I hope I get to do both for the rest of my career.
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Certainly, 3rd acts of any movie are hard. It's always hard to have something that will give you the promises from the beginning of the movie. That's true for all movies.
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I feel that in horror movies, especially, if you don't care about the characters, you've lost the audience. No one cares, and it becomes a process of watching people get killed.
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My favorite movies are the ones that are different the second time, or where you're constantly discovering new things. It's not just genre movies, either, and it's not just about twists. I saw 'Tinker Tailor Soldier Spy' four times in the theater before I realized it's a love story. I love that.
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I think 'The Thing' is so good because it's not just a scary movie. It's also social commentary, which works on multiple levels, which is something I really respond to.
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We've always idealized youth and then destroyed youth. That has happened since the beginning of time, and I'm fascinated by why we do that.
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The logistics of blood is something that I didn't even understood as a first-time director. Not just actors and make-up, but once a set gets bloody, you don't un-blood it. Once something gets bloody, you either rebuild the set, or you just don't get the shot.
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I love cult movies. I probably have watched 'Big Trouble In Little China' more than anyone on the planet.
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I can always tell when a filmmaker doesn't care about his or her characters; they just care about setting them up to kill them off.
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If I had to pick one scary movie, I'd go with John Carpenter's 'The Thing.' That's probably number one.
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That's the fun part about being a director. You get to say, 'Oh, now that I'm in charge, I can try and cast whoever I want.' They can always say no, but that's okay.
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Directing is a unique endeavor where you are in charge of so many people. As a writer, it is sort of the opposite.
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Like everyone else, I love 'Born Again:' that was a seminal work for me. Everything Frank Miller did on 'Daredevil' is like the Bible.
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I've been lucky between 'Buffy,' 'Angel,' 'Alias,' and then 'Lost.' The thing they all have in common is that they were all fearless. They were not afraid to be different and try something different. Even if you didn't know that it was going to work, just try to do something new and fresh.
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Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
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As a viewer, I never want any movie ruined for me, no matter what the genre is.
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There will be a Skype movie soon... someone will crack the code, and it will be great. Then, there'll be 30 Skype movies, and we'll be like, 'Oh, that's boring.'
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As a filmmaker, I wish we didn't have to do trailers at all, quite honestly. I wish we didn't have to do posters. I wish didn't have to give anything away. I wish people could just come in the movie blind. But as an audience member, I respect that you have to tell an audience that this is worth your time.
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That's the thing about Lionsgate. They are fearless. No other studio would have made 'Hunger Games' the way they did. They're being fearless in the way they make decisions, and it's paying off for them.
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I had one of those families that let me watch things they should not have let me watch. When I was a kid, I remember I watched 'Alien' at, like, 6. It was traumatizing.
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When you're talking about who is doing the most exciting and interesting horror films of the last 20 years, it's Japan. I mean, they are making amazing films.
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Clearly, the works of John Carpenter and Sam Raimi are front and center here. Argento is definitely there. But even stuff like the 'Friday the 13th' movies had quite an influence on me growing up.