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Directing is a unique endeavor where you are in charge of so many people. As a writer, it is sort of the opposite.
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I can always tell when a filmmaker doesn't care about his or her characters; they just care about setting them up to kill them off.
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That's the fun part about being a director. You get to say, 'Oh, now that I'm in charge, I can try and cast whoever I want.' They can always say no, but that's okay.
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I've been lucky between 'Buffy,' 'Angel,' 'Alias,' and then 'Lost.' The thing they all have in common is that they were all fearless. They were not afraid to be different and try something different. Even if you didn't know that it was going to work, just try to do something new and fresh.
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Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
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I think so much of the horror film is about our primal instincts, and our primal instincts are not just towards violence. It's also towards sex. I feel like horror movies, as much as they're about violence, they're also about sex. It's about our instincts, so in that regard, it's crucial that you honor both of those things.
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There will be a Skype movie soon... someone will crack the code, and it will be great. Then, there'll be 30 Skype movies, and we'll be like, 'Oh, that's boring.'
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The more work you put in on your outline and getting the skeleton of your story right, the easier the process is later.
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There's just something wonderful about getting a small group of people together in an isolated location, and there's something about cabins themselves that imply both horror and fun. When you go to a cabin, you're usually going to have a good time.
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That's the thing about Lionsgate. They are fearless. No other studio would have made 'Hunger Games' the way they did. They're being fearless in the way they make decisions, and it's paying off for them.
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You start to fall in love with characters as you work with them, and anytime that you care about your characters and you realize that you're gonna have to kill them, that fear creeps in. It's sad. It's scary, and it's also sad. Because you like these people.
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I just don't want to make the same old movies. I'm not interested in it. Directing's hard. It takes up a lot of your life, and I'm not that interested in making the same old film.
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I had one of those families that let me watch things they should not have let me watch. When I was a kid, I remember I watched 'Alien' at, like, 6. It was traumatizing.
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With horror movies, a bigger budget is actually your enemy. You want to feel the rough edges, the handmade quality to good horror films. It's a genre that benefits from not having everything at your disposal.
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I love going to horror movies - especially when they are fun. I think that they get you in touch with sort of these primal instincts that we all have in the relative safety of the theater.
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I think the thing I took most from game playing was just getting in the characters head. I took it really seriously. There's something about creating your character.
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When Steven Spielberg comes to you and says, 'Hey do you want to write a movie about robots?' You just say yes.
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It's not like vampires are inherently bad. It's just people need to make better vampire movies.
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I think audiences crave something new. I don't think audiences want the same old thing, no matter how much conventional Hollywood tells you that.
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I've always said I'm less interested in twists as I am about escalation.
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When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I could, I would sneak over so I could watch.
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Like anything, I think there are some wonderful found footage movies, and there are some less good. Certainly when it's done well, I really love it. I really love it as a genre.
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One of the things that's been nice about my career is that I've been able to do so many different things, and variety keeps your creative soul fulfilled. I'm constantly looking to find new things to do. It's just project to project for me. You never know where the next thing's going to come from.
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I think that there's good movies and there's bad movies, and sometimes the bad movies spoil it for the rest of us, and we focus on them, but in the long run, all that matters are the good movies. Those are the ones that we will remember.