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The movies I respond to are by guys like the Coen brothers and Edgar Wright, where it's hard to fit them into any one box.
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If you worry too much about anything, you end up making bad movies.
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I feel the way I always do about sequels. If there's an idea that excites me enough, and it feels like a way to do something new and fresh, then great. But I don't ever want to do a sequel just for the sake of doing a sequel.
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I love a good harsh horror movie, when it's done well. But there are times when it feels cynical. You can tell when a filmmaker loves the genre, and you can tell when someone's just cashing in a paycheck. Then it becomes a dumbing down - a fetishisation of violence that I react very strongly against.
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This is what I do for fun - brainstorm about monsters!
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You don't want to make a movie just to make a movie. You better have a point of view.
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The horror genre gets you in touch with our primal instincts as a people more than any other genre I can think of. It gives you this chance to sort of reflect on who we are and look at the sort of uglier side that we don't always look at, and have fun with that very thing.
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If you can relate to what the character's going through, the story can be as ridiculous as possible, and people will relate to it. You can be fearless in your storytelling if you're vigilant about protecting your characters.
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It was a lot of 'Dungeons and Dragons' all through my teens.
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I understand why offices need to have office parties. I understand why offices need to have betting pools. No matter what the job, you need things to foster camaraderie and let off steam.
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I grew up in Los Alamos, New Mexico, which is my hometown. In Los Alamos is, for people who don't know, a nuclear lab that built the atomic bomb. The only reason the town exists is to make nuclear weapons and weapons of mass destruction, and that's still happening there.
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You can always trust that an audience is smarter than a studio thinks it is.
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I guess I'm just the kind of person who likes to do it all. It's fun to put on the writer's hat and go hide by myself with my computer for six months. Then it's fun to come out and put the director hat on and deal with all the things that a director deals with. Then it's fun to just be the producer and, um, not do anything.
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Filmmaking is incredible introspective. It forces you to sort of examine yourself in new ways.