Language Quotes
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I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
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The questioner has to come to an end. It is the questioner that creates the answer; and the questioner comes into being from the answer, otherwise there is no questioner.
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I've got many different voices - I have a Southern girl, an Irish girl. I have a gibberish language that you'd have to decipher. I guess I try to never take myself too seriously.
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It's always a unique challenge when you're working with somebody where English is their second language.
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The full meaning of a language is never translatable into another. We may speak several languages but one of them always remains the one in which we live. In order completely to assimilate a language it would be necessary to make the world which it expresses one's own and one never does belong to two worlds at once.
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Language exists to communicate whatever it can communicate. Some things it communicates so badly that we never attempt to communicate them by words if any other medium is available.
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China's cinema has been rising for some time; it has more exposure, so my chances of becoming internationally known are better. But the first thing I have to do is learn English. If I can grasp the language, then perhaps I can think about the U.S.
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Language is much closer to film than painting is.
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I thought it was very odd that I had a cross and that I was sticking it in a box saying terrible language. But I have to say that I did not understand.
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His style is chaos illumined by flashes of lightning. As a writer he has mastered everything except language.
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Regardless of whether you speak the language or are familiar with a culture, the picture should hold up.
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Language rarely lies. It can reveal the insincerity of a writer's claims simply through a grating adjective or an inflated phrase. We come upon a frenzy of words and suspect it hides a paucity of feeling.
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The universe seems to me infinitely strange and foreign. At such a moment I gaze upon it with a mixture of anguish and euphoria; separate from the universe, as though placed at a certain distance outside it; I look and I see pictures, creatures that move in a kind of timeless time and spaceless space, emitting sounds that are a kind of language I no longer understand or ever register.
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I had two experiences with very close friends of mine who experienced aphasia, the loss of language. It shocked me.
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The new, old, and constantly changing language of politics is a lexicon of conflict and drama?ridicule and reproach?pleading and persuasion.
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French is the language of diplomacy. Spanish is the language of bureaucracy.
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When a person has an accent, it means he can speak one more language than you.
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Silence is ever speaking; it is the perennial flow of language.
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Sign language is the noblest gift God has given to deaf people.
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I get a lot of comics, and I can look at a comic and tell immediately whether I'll enjoy it or not. There are elements in the stories that I have no rapport with. I see dirty language, I see sleazy backgrounds; I see it reflected in the movies, the movies are comics to me. And I don't see a sleazy world. I see hope. I see a positive world.
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Intrinsic to the concept of a translator's fidelity to the effect and impact of the original is making the second version of the work as close to the first writer's intention as possible. A good translator's devotion to that goal is unwavering. But what never should be forgotten or overlooked is the obvious fact that what we read in a translation is the translator's writing. The inspiration is the original work, certainly, and thoughtful literary translators approach that work with great deference and respect, but the execution of the book in another language is the task of the translator, and that work should be judged and evaluated on its own terms. Still, most reviewers do not acknowledge the fact of translation except in the most perfunctory way, and a significant majority seem incapable of shedding light on the value of the translation or on how it reflects or illuminates the original.
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Years ago I went to the Wailing Wall in Jerusalem and did what all tourists there do: wrote some words on a scrap of paper that I tucked into a crevice in the wall. When I closed my eyes and touched my head to the warm stone, it came to me: "All language is prayer." This must be so. Who is it we are speaking to when we speak to anyone? To that person, and also past him or her to Out There. If there is language, it means there is the possibility of being heard, being met, being loved. And reaching out to be heard, met, or loved is a holy act. Language is holy.
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…. Query: How contrive not to waste one's time? Answer: By being fully aware of it all the while. Ways in which this can be done: By spending one's days on an uneasy chair in a dentist's waiting-room; by remaining on one's balcony all of a Sunday afternoon; by listening to lectures in a language on doesn't know; by traveling by the longest and least-convenient train routes, and of course standing all the way; by lining up at the box-office of theaters and then not buying a seat; and so forth.
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A tale should be judicious, clear, succinct; The language plain, and incidents well link'd; Tell not as new what ev'ry body knows; and, new or old, still hasten to a close.
