Time Quotes
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'Troll 2' is one of the rare sequels where you don't have to waste time watching the first one, since the films have absolutely nothing to do with one another.
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In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
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The thing about Netflix is that you get more minutes in your episode because there are no commercial breaks. You have time to let things breathe and be quiet. You get to see an entire scene play out instead of just jumping halfway in.
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It is not difficult to deceive the first time, for the deceived possesses no antibodies; unvaccinated by suspicion, she overlooks latenesses, accepts absurd excuses, permits the flimsiest patchings to repair great rents in the quotidian.
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There's a value in used electronic equipment, and currently, there are small, domestic recyclers that process this equipment safely. But they have a hard time competing with facilities overseas that have few, if any, environmental and safety standards.
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One of the biggest guys I worked with was Sean Connery. People like Sean, Michael Caine, Denzel Washington, they've been going for a long time, and not for nothing. They want to get this job right, and they realise the weight of responsibility on their shoulders.
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Each time I undertake to paint a picture I have a sensation of leaping into space. I never know whether I shall fall on my feet. It is only later that I begin to estimate more exactly the the effect of my work.
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My father was like the Old Testament. I am the New Testament. I am part of a new generation. In time, people will realize this.
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There is no longer time for statements like 'if only' or 'we can't.' We must and we will succeed. The only question now is how and when. I believe the time is now.
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So now it is time to disassemble the parts of the jigsaw puzzle or to piece another one together, for I find that, having come to the end of my story, my life is just beginning.
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I still remember 2002. It's a very hard time for Hong Kong industry, no movies in Hong Kong, and also at this moment I start my new company, so many people said, 'You're crazy.'
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In fashion, there's huge pressure to produce results in no time. But you cannot guarantee numbers, because fashion gravitates around desire.
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I get nervous all the time. Both on and off stage. You just hope it turns into adrenaline.
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I arrived in Milan when I was 18. But my time in Italian football helped me to mature.
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I came to the ... open gate of mathematics. From here, well-trodden paths lead in every direction, and since then I have often spent time there. Sometimes I think ... I have trodden all the paths ... and then I suddenly discover a new path and experience fresh delights.
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It's always difficult to say goodbye, especially when one has spent a long time - literally years, in the case of a series - inside a character or two, suffering and celebrating with them.
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Maybe not having time to think is not having the wish to think.
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I probably learned most at MIT by teaching and working with Peter Diamond, who acted like a big brother to me during my time in the department.
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Coming into your powers can be a very confusing time. Perhaps there is a book on the subject. If you like, we can go see Marian." Yeah, right. Choices and Changes. A Modern Girl's Guide to Casting. My Mom Wants to Kill Me: A Self-Help Book For Teens.
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There's not enough time to be disrespecting... Life is too short.
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Hands-on experience at the critical time, not systematic knowledge, is what counts in the making of a naturalist. Better to be an untutored savage for a while, not to know the names or anatomical detail. Better to spend stretches of time just searching and dreaming.
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As a non-Catholic, and since I was a child, I have been obsessed with the ritual and the beauty of Catholic art. I look at Renaissance art all the time.
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There's no way you can shoot low-budget stuff on lots of locations. It's just a practicality thing because every time you move, it costs time and money.
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I can never understand why I should eat at one or sleep at eleven, if it is, as it often is, my one and my eleven and nobody else's. For, as between the clock and me alone, one and eleven and all other o'clocks are mine and I am not theirs. But I have known men and women living in hotels who would interrupt a sunset to go to dine, or wave away the stars in their courses to go to sleep, merely because the hour had struck.
