Time Quotes
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We have for a long time neglected our children. They are our richest treasure. We must give them time, attention and the love of our pure, unselfish hearts.
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Time is the only luxury. It's the only thing you can't get back. If you lose your luggage - I'm not gonna say the obvious brand of luggage that I'd normally say because I've got a meeting with them soon - if you lose your expensive luggage at the airport, you can get that back. You can't get the time back.
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At least the Pilgrim Fathers used to shoot Indians: the Pilgrim Children merely punch time clocks.
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I'd always loved strings. When I was in high school and saw strings playing on stage, an orchestra or a symphony, all those bows moving at the same time... wow.
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I used to get very nervous before a concert. It's okay when you are in a band. You can kind of disappear. But when it's just you... yes, that was difficult. I would not say it is easy now. But when you do it for a long time, you do learn to cope.
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In my career, I really set out not to develop too strong a persona so that you wouldn't have a hard time imagining me in any given role. I wanted to pleasantly confuse the audience on who I was.
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I work all the time. I never leave home. I mean, I just stay honed in on what's ahead.
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Sometimes you've got to know when it's time to leave the party.
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When I came to Los Angeles, it was the first time that I ever felt like I belong somewhere. Not because it was wacky, but because people here understood what I felt like to perform, and there were other kids my age who wanted to do it. I didn't get looked at as God, you freak.
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The time before Islam is a time of blackness: that is part of Muslim theology. History has to serve theology.'
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The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.
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Twisted Sister plays 20, 25 shows a year. But if the band had their druthers, they'd be out playing all the time.
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I know without our fans and the devotion of our fans we wouldn't be here. I don't mean to put them down, but I'm just stating a fact that it is hard to play to people that see you all the time and it takes a lot of fun out of it in some ways.
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We set out to become a band for our time. But sometimes if you do a good-enough job, you become a band for all time.
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Actually, with 'Truth of Touch' I wasn't even intending on making an album. I was just having fun. I had about a six-month period of down time, and I'm not very good at sitting around. So I kind of started going into the studio and having fun with new core mendin sounds.
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The entire time I was up shooting 'Suits,' I was running back to my trailer to help get 'Nine Circles' produced. It's a no-brainer for me to keep that part of life alive.
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I'd been getting bored with the stereotyped changes (harmonies) that were being used all the time. ... I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I'd been hearing. I came alive.
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Chashkin Sar was virgin, and we climbed it for the first time, and afterwards, the people renamed it as Samina Baig.
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I moved to Dallas in 1975 and stayed there until 1980. That's when I decided it was time to move to L.A.
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That's the nice thing about being a live act. I can get the audience, but it's for the moment. It's like, 'Can I do it tonight?' And you can see when people like you. But on record - and with the pen - it's almost for all time. Really, a lot more thought has to go into it.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Look, we're in the time of the anti-hero.
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There's a difference between a pop star and an artist. Pop stars have to be perfect all the time; an artist is allowed, on occasion, to suck. And I put myself in that category because I sometimes suck. I'm not trying to please the masses. It's not going to happen, so I don't try.
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Europe is kind of fragmented. Africa is nascent; we've made a few investments, including four in Egypt. I visit 50-60 cities and 20-25 countries a year. The intent is to be a global fund, which takes time and prioritization.
