Time Quotes
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For Bobby and I to sing R&B and sound black was probably the stupidest thing we could do. White radio stations wouldn't play us because they thought we were black. Black stations wouldn't play us because they thought we were white. Any time you break ground, you go against the grain.
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Growing up in North Carolina, my mom was always just sort of my mom to me. I never really recognized her as a famous actress. I'm always thrilled when she's cleaning out her closet. Last time, I got a pair of boots that she bought in Paris 20 years ago. I have completely worn them out.
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Those albums are so important to me because, for the first time, I was making my own music, paying for it, finding strengths in it, and going through the process of finding the right music for the record.
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It's been a process of evolving within a family company to get the autonomy I now have from a boss like my father. If you're sitting there waiting for a pat on the back, you're going to be waiting a long time.
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People need to understand: Businesses are going to make mistakes. They shouldn't be shot and hung every time.
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The whole - it's the economy's bad. It's bad for everybody. I have my own comedy club. I opened it three years ago in a horrible economy. I created jobs. And we just started breaking even after a year and a half, barely. For that entire time, I have had to pay the difference of what we owe in rent and taxes and everything out of my own pocket.
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Every time I get off the phone with one of my friends, I tell them I love them.
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Eternity is the Absolute present.
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Our ubiquitous mobile access has made time and location important data points in how businesses can now be built and managed.
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I just take on what I can commit to completely at that point in time, and that way you'll be able to give your best.
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I have crushes on women all the time. I don't have intimate relationships with them, but I find women beautiful.
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It seems that every time I stick my neck out, I get my foot into something else.
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If atomic bombs are to be added as new weapons to the arsenals of a warring world, or to the arsenals of nations preparing for war, then the time will come when mankind will curse the names of Los Alamos and of Hiroshima.
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This is the last time I'm asking you this,Put my name at the top of your lips.This is the last time I'm asking you whyYou break my heart in the blink of an eye, eye, eye.
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Trees have feelings too, and no one ever says 'hi' to them. Next time you're outside and see a tree, say 'hello'.
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I do think we're in a period of time culturally where there is just this extraordinary connection that we have to our pets, and in many ways, they are displacing kids. They're so much simpler than dealing with a kid because of this unconditional love that does not get complicated by adolescence or any other manipulation.
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You can't sit here and try to predict what kind of character I'm going to be drawn to next. At the time when I read 'The Girl on the Train,' it wasn't like I was, 'Ooh, I want to play a hot mess next.'
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Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.
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The hardest thing about my job isn't the snake bites or the crocodiles, it's being away from my children. I have a really religious satellite phone call every day back to the boys, wherever we are, whatever time zone, to say goodnight.
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I'm just happy I got a hole-in-one for the first time in my life.
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I had to pick myself up and get on with it, do it all over again, only even better this time.
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When I have sat at home with this God-given talent for music for a long time, somebody approaches me out of the blue and asks me to play for them. It's almost as though there's a force somewhere which is saying 'no sittin' around, out you go!
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Our perception of time is really driven by our perception of the unfamiliar, vivid, and new.
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I think that theater is a unique way to communicate with people as they gather together with other people they may not even know. It creates a sense of shared community for the time of the performance that hopefully carries over into other aspects of the audience's life because they have shared this experience together.
