Musicians Quotes
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What Spotify pays me is not even enough to pay the musicians playing with me or the people working on the discs. It's not working. Something is going to have to give.
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I've worked with lots of musicians - like Tina Turner - and I love when they go in front of the fitting mirror and do their thing, pose, dance. I love that moment!
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'The Unity Band' project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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I was lucky enough to first meet Elvis at his house in Bel Air and he used to invite different artists, singers and musicians, to come and jam with him at his house.
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I just wanted to be like J.Lo when I started. The last thing I want to be is a model-slash-actress. But I love actress-slash-musicians.
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It keeps me in touch with younger musicians who are constantly saying, 'Have you heard this new artist, or this new guitar player?' It keeps you reaching.
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What intrigues me is that you get a good bunch of musicians together, and interesting things will happen.
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I've always considered music stores to be the graveyards of musicians.
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With 'Aja,' there was a sort of happy conjunction between our tastes and the backgrounds and styles of studio musicians at the time.
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Nobody asks me about what male musicians I think about; I only ever get asked about females.
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I can't fathom writers married to writers and musicians married to musicians. There's your enemy in bed beside you.
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It's easy to get on to something like alcohol or drugs so my advice to musicians is don't lose your perspective because you will waste time in terms of years.
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And I'm always interested when other musicians are trying to discover new worlds of sound.
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There are some musicians who are talented and see themselves as some kind of natural geniuses or something because of a certain amount of natural ability. But that is often rarely the case over the long term.
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I think Phil Collins is one of the most underrated musicians, singers, performers - he is absolutely amazing, I think, and I think hes probably got a bit of a rough ride occasionally because he became so mainstream and so popular.
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Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
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The intensity of being in front of all these incredible musicians and tremendous conductors in these elaborate halls can be overwhelming.
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I don't think successful musicians were really put on this planet in order to have a great time, pat themselves on the back and say, 'Oh, what a clever boy I am!' I think that, like most artists, we were put on the planet to suffer just a little. And we do.
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Hanson has rapid female fans, which I'm completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There's younger fans. More and more guys are Hanson fans, musicians or kind of guys who were into a Beatles record.
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In January of 1995, my family and I moved to Seattle. Pearl Jam did the first of their live radio broadcasts, Monkey Wrench Radio, along with many other Seattle musicians.
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Music companies and buyers are not too encouraging towards independent musicians. Everyone wants to play safe and go with established names, but unless one breaks this routine, no new talent will come and survive.
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I'm no ethnomusicologist. There is a connection between the five-note scale used both in traditional Chinese music and the blues, but I don't really understand it. All I know is, whenever I play with Chinese musicians, we seem to belong to the same musical gene pool.
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Certainly one of the more common experiences in the jazz field is discovering someone new. Improvising musicians are capable of being musical travelers, voyagers. We want to join in on whatever we hear. There is a freedom to wander the musical landscape.
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It's the duty of all novelists, all painters, all musicians, all people who try to make art move: to look for something they feel authentically, without paying attention to styles.
