Music Quotes
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Experimenting with make-up is a lot of fun. When I'm not touring, I like nothing better than inviting the girls around to listen to music and get ready together before going out.
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I didn't really know about Marilyn Manson - it's not my sort of music, not exactly the sort of thing I would curl up and listen to!
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Sexual activity is driven by the same aims and motives as reading poetry or listening to music: to escape the limitations imposed by the need for particularity in the consciousness.
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Music has always been a large part of my life, and I'm very fortunate to be able to start a career doing something I love.
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I think for us up-and-coming artists, once you're out there, once you've put stuff up, once people know who you are, once you discover who you are, we're all in the same boat: it's down to whether people appreciate the music or not.
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Often by the time writers and producers try to get a new hit song, the industry has already moved on. Whatever you're creating might not be as hot as it would have been during the time of your first hit. It definitely compromises the creative process when the music is changing and evolving so fast. If you're not on top of it, you will be forgotten.
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Music is composed on computers and other electronic equipment; producers don't want to spend money on orchestra.
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I started my whole career on Soundcloud and YouTube and was always looking for recourses to make music.
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I listen to a lot of different stuff, from Mozart to Johnny Dowd to Monster Magnet. I don't listen to music while I'm writing a draft, but I do listen to it when I'm revising.
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Acting was truly all that I ever wanted to do. I've always acted in plays and sang and played music, and you get to a certain age and think there's nothing else that you'd rather do.
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I'm confident that people will be able to relate to my music.
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Yes, the Bible should be taught in our schools because it is necessary to understand the Bible if we are to truly understand our own culture and how it came to be. The Bible has influenced every part of western culture from our art, music, and history, to our sense of fairness, charity, and business.
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I’m not interested in the words or the meaning of the words. I’m interested in disappearing in it completely, to not be aware of yourself at all. That’s the way music works for me. It’s purely emotional. It goes straight to the heart. There are no explanations. That’s just it.
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Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.
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The basis of our partnership strategy and our partnership approach: We build the social technology. They provide the music.
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I think it's so dope that I'm here in Chicago and contributing to the music scene that's thriving. People are so happy Chicago's shining that everyone is willing to say 'I represent Chicago.' That wasn't always the case.
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The biggest misconception about us is that we're just a rock band. We think our music is a cross-section of many genres; a hybrid of what the six of us have grown up on.
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The Chili Peppers do a lot of improvising, but it's within the framework of song structures. The Meatbats is from a purely instrumental standpoint. But when you hear the term 'instrumental music' you think it's real serious stuff and everybody's playing a million notes and it's about playing fast. That's not what we do.
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I'll leave a store if I hate the music. If it's just, like, techno, I feel like my brain is going to explode.
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Warner Music has illegally provided radio stations with financial benefits to obtain airplay and boost the chart position of its songs, ... abandon the industry-wide practice of providing radio stations and their employees with financial incentives and promotional items in exchange for airplay.
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If the pressure is getting to you, whistle. In a barely audible way. It's the best way I know of to let go of tension. Music gets your mind off the situation, and the act of whistling melts the tension out of your body.
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Silence... is the essence of the music itself, the vital ingredient that makes it possible for the music to exist at all.
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When you here a conjunto and you hear another conjunto, you think it's like a continuation of the first. It's all the same, same, same. There's no variety, just the same music.
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On 'City Music', I wanted there to be grit, and I wanted it to be loose, and I wanted there to be mistakes.
