Music Quotes
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Women in music have always been associated with pop - with prettiness, theatricality, melodic hooks and dance beats.
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But however measurable, there is much more life in music than mathematics or logic ever dreamed of.
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The way I create music is maybe like a painting, to compose in a more visual way. Basically it's the music that I want to hear- that's my inspiration and bottom line. I just try to get ideas from books, movies, paintings.
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We've got to protect the music and make sure it never gets exploited.
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My specialty is two things: music or really strange stories.
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Cornwall has lots of folk and Celtic music and has that kind of surfer vibe as well. That was my kind of upbringing.
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I originally wanted to embrace the imagery and forthrightness of rap music. There are some interesting, dynamic voices in rap. But I find most of it irresponsible in its overt violence and commercialization of anger. As artists, we believe we can will action through language. If that's the case, we have to take responsibility for what we say.
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There's so much music in Austin, and it's all so different.
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People have these incredible expectations. So instead of being inspired by, say, Joni Mitchell's music, I look at it and say to myself, 'I'm going to quit - why would I think of writing or performing after listening to that?'
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I was studying music in college. I was singing, I was doing operas and Gilbert and Sullivan operettas, and then I was offered a job as the music director of the Bigfork Summer Playhouse, in Bigfork, Montana.
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I don't make music for eyes. I make music for ears.
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The first person who showed me that I could be a maker of music was one of my best friends. It's like, you can't see yourself doing something until you see somebody else doing it. Other people were encouraging me singing, but this was the first time that I could see myself writing songs and playing guitar.
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I was definitely inspired by gospel music, or old-school R&B; I got into some Good God gospel compilations.
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I grew up on Bach and Beethoven, and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff.
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I've always wanted to do my best to make sure it's clear that I want to keep the focus on my music.
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Taylor's first four albums have been certified platinum a combined 21 times, but despite her unprecedented success in country music, '1989' is strictly pop.
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Nowadays, there are seven music directors in one film. I had never heard of such a thing before. If one of our old music directors was told to share a score with others, he would have left the assignment.
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At the end of the day I want to be the guy who experienced music in all type of ways, with hip-hop being the roots of it.
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I don't write listening to music, and in a way it seems silly that any writer should have to explain why not, as it's possibly no different from saying you don't eat gourmet dinners or play tennis while you're at the keyboard.
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Any time you can give consumers more of what they want, it's a good thing. Unbundling the album is a good thing. In the case of music - because it is content that you can slice into songs - doing that is of huge benefit to consumers.
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I think listening to real classic soul material made me learn how to feel music that's sung.
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Listening to music is such an uplifting, spiritual thing. It's far-fetched to some - I understand that. But the way dance music brings people together, it's not a big stretch from hymns.
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I don't even know if I always entirely get what I'm trying to say right away with lyrics. I like a lot of things that are more subtext. I grew up mishearing lyrics my whole life, but somehow there's so much more, too, that's implied in vocal delivery and the music itself and the gestural quality of it.
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In my relationship with a young guy I was going with in a band - his name was Sylvester, and I think he had another little girl on the side - I told him, 'If you lose me, you're going to lose a good thing.' And I went home and put that poem to music.
